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DAW Software

A DAW, which stands for Digital Audio Workstation, is a software tool that enables users to capture, modify, and create audio content. It is utilised in various contexts such as music production, sound design, game audio, film and TV post-production, and podcasting.

Primary uses of a DAW

The primary purposes of contemporary Digital Audio Workstation software comprise: 

Recording: All DAWs enable users to capture audio from different sources like microphones, instruments, and MIDI controllers using an Audio Interface connected to the computer.

Editing:  DAWs enable users to cut, copy, paste, and rearrange sections of audio files. They also provide a range of tools for improving the quality of audio, including noise reduction, EQ, and compression.

Mixing: Digital Audio Workstations enable users to blend various audio tracks, modifying volumes, positioning, and adding effects to produce a unified end result.

Mastering: Digital Audio Workstations (DAWs) provide features like loudness normalisation and EQ adjustments to ensure the final audio meets industry standards.

Advantages of utilising a Digital Audio Workstation

Efficiency: DAWs enable users to efficiently record, edit, and produce audio with ease, cutting down on time and effort when compared to traditional analogue techniques.

Flexibility: DAWs offer a wide range of tools and features that allow users to customise their audio production process and achieve the desired results.

Collaboration: Numerous DAWs provide tools that enable users to work together and collaborate on projects from different locations, simplifying the process of collaborating on audio projects such as podcasts and song creation.

Portability: Digital Audio Workstations are compatible with different devices such as desktop computers (Mac/PC) , laptops and tablets, allowing users to work on audio projects conveniently from any location.

There are many popular software DAWs, some of which come built into the Operating System of your favourite computer, such as Apple GarageBand on Macs. Sound On Sound regularly covers all the top brands in its monthly DAW Masterclasses. From Steinberg Cubase and Avid Pro Tools, PreSonus Studio One and Apple Logic Pro, MOTU Digital Performer to Ableton Live, Reason Studios Reason and Cockos Reaper, you'll find how-to techniques and tips for all of these and other DAWs collected under the sections shown above.

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    MIDI Controllers

    Cubase Tips & Techniques

    Even a handful of knobs and sliders on a MIDI master keyboard are enough to give you hands-on control of your Cubase mix.

    Techniques Dec 2010
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    Digital Performer 7.2

    Digital Performer Tips & Techniques

    DP's latest version brings the ability to change the look and feel of the program. We find out how, and explore other additions in DP 7.2.

    Techniques Dec 2010
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    Ableton Beat Repeat Plug-in

    Ableton Live Tips & Techniques

    We show you the most modest of feats: a wonderful way of repeating your beats.

    Techniques Dec 2010
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    Apple Logic: Back To Basics

    Logic Notes

    Whether you're an experienced or a novice Logic user, going back to the beginning might show you a thing or two.

    Techniques Dec 2010
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    Super Conductors

    Pro Tools Tips & Techniques

    Pro Tools' rulers not only show the passage of time, they allow you to control it!

    Techniques Dec 2010
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    Master EQ Plug-in

    Reaper Tips & Techniques

    Discover the power of Reaper's EQ plug-in and become an EQ master in the process.

    Techniques Dec 2010
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    Block

    Reason Tips & Techniques

    Make light work of song arranging with Reason's new Blocks feature.

    Techniques Dec 2010
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    Managing Backups, Part 1

    Sonar Tips & Techniques

    In the first of this two-part series, we look at the best ways to manage your day-to-day backups in Sonar.Read Part 2.

    Techniques Dec 2010
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    Level Meters

    Cubase Tips & Techniques

    Knowing how to interpret and act on Cubase's level meters can help you to make better mixes.

    Techniques Nov 2010
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    Live DJ'ing

    Ableton Live Tips & Techniques

    DJs can really get clever with Ableton Live. We explain how.

    Techniques Nov 2010
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    Dubstep Secrets

    Apple Logic Tips & Techniques

    Create a dubstep bass sound using the ES2 synthesizer and Logic's effects.

    Techniques Nov 2010
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    Dubstep Secrets | Media

    Apple Logic Tips & Techniques

    Audio files to accompany the article.

    Techniques Nov 2010
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    Making Monitor Mixes

    Digidesign (Avid) Pro Tools Tips & Techniques

    Like any hardware mixer, Pro Tools' Mixer can be used to give the musicians on your session exactly what they want...

    Techniques Nov 2010
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    Takes & Items

    Reaper Tips & Techniques

    We show you how to emulate Reason's Dr OctoRex loop player with Reaper's Takes and Items.

    Techniques Nov 2010
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    Time & Tempo Flexibility

    Reason Tips & Techniques

    We bring you up to speed on tempo flexibility and Reason 5's new transport bar.

    Techniques Nov 2010
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    Snapshot Effects Automation

    Sonar Tips & Techniques

    Snap it up! Transform your music with snapshot effects automation.

    Techniques Nov 2010
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    Parameter Modulation | Media

    Cockos Reaper Tips & Techniques

    These project files accompany the Reaper Technique column that featured in SOS October 2010.

    Techniques Oct 2010
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    Project Templates

    Steinberg Cubase Tips & Techniques

    Creating your own project templates is one of those useful housekeeping jobs you can do when you’re in a less creative mood.

    Techniques Oct 2010
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    Improving Audio MIDI Setup

    MOTU Digital Performer Tips & Techniques

    Digital Performer version 7.1 has been out for a while, but we're still feeling the love for some of its new features...

    Techniques Oct 2010
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    Follow Actions

    Ableton Live Tips & Techniques

    We explore a cunning workaround to enhance Ableton Live's already powerful 'Follow Actions' feature.

    Techniques Oct 2010
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    A Logical Reason

    Logic and reason dont just form the basis of rational thought — they also make for inspired composition...

    Techniques Oct 2010

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