Digital Recorders

Can the Mixcast 4 offer podcast producers something its rivals can’t?

With 32‑bit recording, multiple mic inputs and a smartphone‑style touchscreen interface, Tascam’s top‑of‑the‑range recorder is brimming with potential.

With 32‑bit recording, six inputs and a stereo mix facility, as well as impressive battery life, this versatile compact recorder should have wide appeal.

iZotope’s clever Spire Studio is back and better than ever.

Zoom’s modular approach makes this unique portable recorder far more versatile than others.

Could this be the perfect portable package for podcasters and musicians alike?

Tascam have done far more than shrink the Model 24.

Rode's one-stop podcasting shop continues to evolve.

This updated entry-level pocket recorder doubles up as a USB audio interface for computers and iOS devices.

Can this next generation of location recorders improve on the highly capable range that went before?

Akai Pro have distilled the best of their technologies into a stand-alone clip- and scene-based performance and production workstation.

This 6HP module is specifically set up as a hi-fi, low‑noise, two‑channel (stereo) audio recorder with a basic playback facility.

Featuring four-track recording, overdubbing and mixing facilities, this handy recorder promises more than most...

The RodeCaster Pro is a one‑stop shop for creating high‑quality podcasts.

Offering both retro analogue simplicity and modern digital recording facilities, can this device be master of all trades?

The LiveTrak L‑12 ticked a lot of boxes for a lot of people. Could the L‑20 tick the rest?

With mic preamps, multitrack recording and mixing built in, EHX’s 95000 is much more than your average looper.

Zoom’s original F8 impressed us enormously — and now they’ve made it even better!

Compact, portable, capable of overdubbing, and packed with preamps — could this be the multitracker we’ve all been waiting for?

iZotope’s Spire Studio breathes new life into a format that will be familiar to many home studio owners.

Housed in a very compact metal body, weighing just 75g, the solid-state LS‑P4 is built around the familiar Olympus ‘Tresmic’ three‑microphone array, in which the central omni mic is there specifically to extend the low‑end response.