SOUND ON SOUND
We put this compact new system from HK to the test at a festival stage in Malvern.
If anyone can tease ‘that’ valve optical compressor sound out of a single-width 500-series module, Dave Hill can...
Its open-source design means that this small box is bursting with possibilities.
With the tiniest bit of DIY, this could banish the gremlins from a ‘floating’ recording setup.
With the launch of the iTrack Dock, Focusrite are attempting to establish some ‘grown up’ standards so that musicians can make music on their iPad using any Core Audio-savvy application...
IK Multimedia’s iRing is essentially a motion-tracking device that uses the front- or rear-facing camera on your iOS device to...
Not many people know this, but ‘Euphone’ is the generic name for an 18th-century instrument consisting of resonant...
Sunset Sound S1P: Audio Examples.
For the first time, fans of Phoenix gear can assemble a full recording channel.
Although control surfaces may not ‘add’ to your sound, they can certainly make working with audio an easier and more pleasant experience. But with so many different models on offer, it pays to read up on them before you commit your hard-earned money.
In June 2013 we looked at Project Alpha, a sound-design toolkit for cinematic music projects, produced by sound designers...
Hollywood’s Sunset Sound studios celebrated their 50th anniversary with this incarnation of their legendary mic preamp.
What Windows music software works well with multi-touch screens, and what feels a bit out of touch? Find out in our in-depth guide.
Real reels are a thing of the past — but not all tape emulation comes in software form.
Moog’s latest synth, the Sub 37, sees the company return to the form that made their reputation back in the 1970s.
A follow up to Dark Ambient - Volume 2, now even darker!
Polish speaker company Sveda might be new kids on the block, but their Dapo monitors can hang tough with the established competition.
It’s neither cheap nor perfect — but there are still reasons to love this device!
Why do we need a ‘68 model of this classic amp when Fender already have a ‘65 in the range?