SOUND ON SOUND
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In the review of LUFS Meter in June 2018 [you can read the review here:www...
Polo G could have worked with any superstar mix engineer on the planet. Instead, he chose relative unknown Todd Hurtt to mix his hit album Hall Of Fame.
We show you how to get great results from self‑recording singers.
Want to combine the freedom to choose EQs and compressors with the convenience of a single plug‑in? PSP may have the answer...
Is this unassuming plug-in a great leap forward in mastering compression?
Rod Wave’s chart‑topping album Soulfly was not only recorded in hotel rooms, but mixed and mastered on the road too. Travis Harrington was the engineer who made it work.
Affordable, reliable and unexpectedly small, Beyer’s ribbon mics have been studio staples since the mid‑’60s.
With battery power and built-in speakers, the MPC Live II is ready to rock some blocks.
Is the Maschine+ the standalone music‑making box you’ve always dreamed of?
For their latest plug-in, Universal Audio have revisited one of the consoles that defined the ‘British sound’.
Does Roland’s software Juno 60 capture the magic of the original?
By changing their manufacturing approach, Trident aim to offer their big-console sound and facilities at a much lower price.
Golden Age's new Premier brand takes their popular Pre‑73 preamps to the next level.
Olivia Rodrigo stormed the charts earlier this year with her breakthrough single ‘Drivers License’. LA’s rising star Mitch McCarthy talks us through the mix.
Inspired by Tony Visconti’s famous gated room mic technique on 'Heroes', we look at how Studio One’s FX Chains can be used to set up complex dynamic effects.
This studio DI box goes further than most, adding character to a range of sources.
At the Summer NAMM show in Nashville News/Video Features Editor Will Betts paid a visit to the Mesanovic...
Vox's hybrid approach to electronics has yielded a natural–sounding amp that won't break your back.
My Soundcraft EFX12 mixer is pretty new, but when I try and use a channel with a microphone, and an insert cable running to an effects loop with various Moog pedals, I get almost no level from the mic. Can you help?