SOUND ON SOUND
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Designed to apply broad strokes rather than surgical correction, Tilt-Q is said to be capable of adding clarity, depth and balance to a mix while helping to ‘glue’ tracks together.
Electro-Harmonix say that they recognised that their reintroduced Dual Op-Amp Big Muff 2 pedal would be hit with bass players, so set about developing a new purpose-built version.
Voxcraft takes UJAM’s usual no-fuss design approach, and promises to provide a fast and intuitive way to shape distinctive, production-ready vocal sounds.
Captured on Stage A of the Vienna Synchron Stage, Synchron Wagner Tuba Ensemble presents users with “the noble sonority of four Wagner tubas in a cohesive, symphonic blend”.
ReSing Session Singers Showcase introduces seven new professional ReSing models, and allows users to hire virtual singers for a one-off session fee.
Poly Flanger is described as a “musically intelligent flanger”, and has been designed to create modulation effects that remain in key with the source material.
The ADDAC815 Mixology serves as both a dual effect chain router and feedbacker, and can also function much like a 3x3 matrix mixer, providing multiple routing configurations within a very compact set up.
Steinberg's virtual drum instrument has gained the ability to layer and replace kicks, snares and toms, along with a brand-new Punch Kit, additional acoustic kits, a new Pattern Editor and much more.
The Very Loud Indeed Co. have just introduced their latest Omnipshere sound set, which includes a selection of 120 new cinematic patches for Specrasonics’ flagship software synthesizer.
Tape Saturator faithfully models a selection of different machines, and offers enough adjustment to cater to everything from subtle warmth to more obvious saturation.
INA GRM’s recently released sound-design instrument has just received its first major update, which among other things, introduces official support for Windows 10 and 11.
Neumann's M 50 V delivers a faithful reissue of the iconic valve microphone that helped to shape the sound of countless classical recordings and film scores.
ABmyMix is a browser-based tool that has been created to solve a common problem faced by artists, producers and engineers: comparing mix versions outside of a DAW.
Our series concludes with the 10 most significant technological developments that have shaped — and continue to shape — everything we hear.
The latest release of Logic Pro has been introduced as part of Apple’s Creator Studio bundle, but does Logic Pro 12 offer meaningful improvements for power users?
AudioScape’s new Pultec‑inspired rack is a no‑compromise stereo take on the classic passive equaliser.
Base 4 have rethought the design of the humble mic stand from the ground up. The results are quite something!
Could Flow‑style macro controls, courtesy of Cubase’s powerful Modulators, enable you to mix more quickly?
FLEA have replicated one of the most influential mics of all time — but without the valve.
GRM Tools’ new sound design software is an absolute tour de force!