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Crafty Comping
Live offers all the tools you need for quick and convenient comping: you just need to know where to look.
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Live offers all the tools you need for quick and convenient comping: you just need to know where to look.
Get to grips with the marquee tool’s endless possibilities, and you could soon be a Logic power user.
Putting in the effort at the front end of the production process can save countless hours when it comes to mixdown — as this month’s remix demonstrates.
Audio files to accompany the Cristina Vane article.
When Pro Tools loses track of the media files used in a session, you need to turn detective...
The landmark Reason v7 is about to arrive. What will it do for you?
Among Samplitude Pro X’s unique features is spectral editing in the main project window. Here’s how it works.
Video tutorial to accompany this month's article.
Optimise your vocal tracks in Sonar X2 before you start mixing.
Explore and learn to use Studio One 2’s Audioloop and Musicloop formats.
DI boxes are essential pieces of stage equipment, but to get the most out of them, it helps to know what they do — and how they do it...
Forty years after its original release, Mike Oldfield tells us the story of recording his hugely successful debut album, Tubular Bells.
Cubase 7’s Mix Console is far more capable than its predecessors, but can be daunting to newcomers. We show you how to configure it to your needs.
When you make recordings designed to show off your hi-fi systems, they had better be good! It’s no accident that Philip Hobbs of Linn is one of the UK’s leading classical engineers and producers.
In his quest for authenticity, director Tom Hooper drove his Les Misérables technical crew to completely reinvent film soundtrack recording.
Try some guitar-amp modelling with Live, a couple of plug-ins and a bit of know-how.
Logic’s Ultrabeat is more than just a drum machine — so get creative with it and ‘glitch up’ your dance tracks!
Our tame engineer shows that you can craft a great mix even using compression in moderation, and that a little editing up front can make the job of mixing a whole lot easier.