SOUND ON SOUND
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With some neat features to control how the compressor and expander interact, there’s more to this module than meets the eye.
Logic’s Smart Controls allow you to create hands‑on effects macros.
Sometimes Knobula’s Pianophonic module sounds a whole lot like a piano, sometimes it just sounds piano‑ish, and sometimes it sounds nothing like a piano.
Polyend’s hardware tracker has got smaller — and at the same time bigger...
Any Reaper track can have up to 64 channels, and even in stereo mix projects that opens up a vast world of routing possibilities.
Rating: **** 4/5 Stars. The Lost Reveries library offers ambient drone sounds and were created by Hilyard, an artist well known in the genre and with some 25 album releases to his name.
Bend Markers let you manipulate your audio timing with ease.
Ever wished you could control the level of room sound that’s baked into a dialogue or vocal recording?
Intended for both speech and music, Audix’s latest microphone demands to be seen as well as heard!
Reason’s new Objekt synth takes physical modelling in a new direction.
The Triple Cross is a three‑channel stereo crossfader and panner with some rather powerful tricks up its sleeve.
The Polish pioneers pair their plug‑in remote control system with a classic analogue compressor.
A&H’s newest live sound consoles combine powerful processing with user‑friendly features.
Blackstar have an enviable track record in building genuine valve amps. Can their first modelling plug‑in maintain those lofty standards?
Embody’s mission to make immersive mixing on headphones a practical proposition moves forward with the addition of a second virtual studio.
Asked to pick a favourite sound to dissect, American mix master Michael Brauer chooses the vocal sound on Elle King’s ‘Ex’s & Oh’s’.
Working on Trippie Redd’s mixtape A Love Letter To You 5 at Miami’s Criteria Studios gave mixer Koen Heldens the rare chance to mix a rap album to half‑inch tape.
Are the motorised knobs of Melbourne Instruments’ debut synth a gimmick, or should all synths have them?