SOUND ON SOUND
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The UF8 features eight motorised faders, touch-sensitive fader caps and hi-res screens, and provides hands-on control over a wide range of DAWs.
Polymode emulates Moog's 1975 classic, but with added flexibility, enhanced usability and no maintenance issues.
Virtual reality modular synth environment works with Oculus, Valve and HTC VR headsets.
Mastering is often considered a mysterious black art, but while there is certainly a lot of artistry involved Evren Göknar’s book (Routledge/Focal Press) dispels the mystery in a very readable and understandable way.
Distributed by UnitedPlugins, FireSonic’s FireCharger is another take on the ‘make everything sound a bit better’ concept. It...
Melda Productions MSpectralDynamics is a spectacularly useful plug‑in that uses spectral processing in a number of ways...
We review Jim Reilly’s biography of Steinberger, pioneers of carbon fibre headless guitars.
Brighton‑based producer and multi‑instrumentalist Marcus Hamblett is in our Talkback hot seat.
Though billed as a high‑quality single‑channel mic preamp, the EC1 is a whole lot more.
Cubase offers everything that you need to design engaging effects risers and impacts.
In DP 10.1, MOTU significantly expanded Bounce‑to‑Disk with the addition of real‑time, multi‑output, and track‑by‑track bouncing.
We check out Grace’s compact, mastering‑quality solution for monitoring on the move.
Could a poorly set‑up guitar be compromising your recordings?
As if being in charge of the largest studio group in the world wasn’t enough, Miloco director Pete Hofmann also found time to mix the latest album from the UK’s biggest dance‑pop group, Steps.
Your virtual assistant is here to help you find the perfect reverb...
Boutique Latvian company JZ Microphones have earned a reputation for their classy mics, and their latest design doesn’t disappoint.
Korg’s Opsix takes FM synthesis to places it’s never been before.
Like all love affairs, love of vintage gear isn’t entirely rational. Old equipment is often unreliable, noisy and limited. But...
Ever wondered what a ‘four‑quadrant analogue multiplier compressor’ might sound like? Neither had we — but it turns out to be something a bit special!