SOUND ON SOUND
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Spitfire’s latest project marks a new partnership with an iconic London studio.
In our new monthly feature, we track down the new producers who are making waves and find out what makes them tick.
There’s an element of art in the design of passive speakers that’s somehow diluted, lost even, once you put the crossover upstream of multiple power amplifiers...
The revised Klasik from Polish company APS offers exceptional performance at a remarkably low price.
Arturia add some helpful extras to their plug-in models of three classic analogue modulation effects.
Are Audient’s minimalist EVOs smarter than the average audio interface?
AA’s latest cans employ their successful high‑excursion driver in a new on‑ear design.
Avantone’s take on the classic NS‑10 is now available in powered form. We fire them up...
This characterful compressor offers a little more control than most ‘vibe machines’.
Last month we ‘faked’ some string‑arrangements. Now it’s time to add a human touch.
One of the most significant features introduced in DP 10 was the Clips window, and in the 10.1 release, MOTU made it even more powerful.
Heavyocity’s commando percussion team return to the sound stage tooled up and looking for something to break.
Once again, iZotope have raised the benchmark for affordable audio restoration.
Live’s Session view abandons the timeline and allows you to simply trigger individual looping or one‑shot clips of any length.
Eventide’s Spring is a meticulous emulation of the kind of spring reverb you might find in a guitar combo, but with an extended parameter range for more creative uses.
GIK Acoustics' portable vocal screen is sensibly-priced and reduces room coloration, but without adding any obvious boxiness from the screen itself.
The EQ2 offers quality graphic and parametric EQ, with full MIDI capabilities, all delivered in a robust pedal. What's not to like?
Much more than a crossfade tool, Transmutator offers multiple blending modes that allow you to combine or transition between two signals in creative ways.
Given its excellent price tag, this Eurorack mixer has more features than it has any right to, and it doesn’t skimp on the sound quality.
This stereo analogue filter allows different filter modes for the left and right channels, and then messes with the dimensions of space by applying mid‑side processing afterwards.