SOUND ON SOUND
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Rating: **** 4/5 Stars. Moonglades provides the user with a modest number of distinctive sounds that can be modified to a limited but useful degree via very simple controls.
The newest mic from the Aston stable offers remarkable performance at a surprisingly low price.
The HeadLine could save you precious session time when indulging your inner tone‑hound.
With the introduction of Logic Pro X 10.5, EXS24 has been ‘replaced’ by a plug‑in instrument called Sampler.
I’’m doing an installation in a chapel, using a Van Damme Starquad multicore running along the roof void. Should I wire each pin‑1 to the XLR shell?
I want to split the output from my Gretsch electric guitar, to feed both a Boss Acoustic Singer combo and a computer audio interface...
Rating: ***** 5/5 Stars. The 3GB of sample content is divided amongst nearly 50 different bass and sub‑bass sounds and these are complemented by a further 50+ drones, noise layers and ‘attack’ sounds.
Rating: ***** 5/5 Stars
As with the original versions, Royal, Mellow and Rowdy provide three style‑based variants in terms of bass tones and performances, and the three titles share the same engine.
This ensemble oscillator comprises 16 sine wave VCOs in one module, each voice of which will play different (related) programmed notes/harmonics in arrays that you can select, tweak and voltage control.
Mayer’s all‑analogue tape emulation is joined in the 500 series by a mic preamp and limiter.
Antelope Audio have turbo‑charged the desktop interface with their Synergy Core processing engine.
The PM‑2 set offers quality stereo capture for those on a budget.
We take an exclusive first look at Prism Sound’s new flagship converter/audio interface.
UST’s debut large diaphragm condenser mic is a homage to one of the best‑known solid‑state designs around. We put it up against the real thing.
The Apollo Solo gives you UA quality in a bus‑powered box.
Developing a new plug‑in is never straightforward. We go behind the scenes to follow the process from idea to finished product.
We show you how to make a tempo map with Beat Detective.
We delve deep into The Echo, Reason’s versatile delay effect.
Can Roland’s latest V‑Drum kit recreate the feeling of playing real drums?
We offer guidance on working with MIDI Polyphonic Expression (MPE) in v5 of Studio One.