SOUND ON SOUND
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The music world is going soft — but the economics of software production run up hard against the inadequacies of software protection. Cutting Edge speculates on a possible solution.
Another batch of lucky SOS readers' demos wait nervously for the Doctor's prognosis. What is the verdict? Listen while you read on...
Sampletank was a hit: a sample-based virtual instrument with great sounds and, at the time, not much competition. Two years on, there are plenty of fully-featured software samplers and non-sampling virtual instruments too. Can Sampletank 2 keep up?
More speculation and industry-watching from SOS Editor-in-Chief Paul White...
Line 6 give their PodXT the Pro treatment, adding comprehensive I/O and flexible output configurations to their successful modelling processor.
With their new VST Instrument, Linplug are aiming to combine the flexibility of a software synth and sampler with the simplicity of a hardware drum machine.
This month we help you work with Logic Control, as well as offering advice on importing REX files.
An established studio in the USA is planning to rely on software that can be freely downloaded from the Internet. Are they crazy, or do Linux-based recording applications offer a real alternative to the established Windows and Mac packages?
The success of Apple's iTunes Music Store has revitalised online music sales, and not just for the major record labels. Plenty of home-based musicians are now selling music digitally, and making real money. Find out how...
If you are relatively new to PC music, it can seem like a maze of acronyms and mystifying computer-related terms — so here's a useful glossary to clear up any confusion.
Steinberg have made available the results from a set of uniform Cubase SX tests that pitted different computers against each other — but what does it all mean for your choice of processor?
An old favourite utility returns this month, and Digital Performer 4.1 learns something from Cubase SX — on the PC! Surely not?
Many users probably never venture into Pro Tools's Calibration Mode, but you could be compromising the sound quality of your Pro Tools rig and external gear if you don't think about lining up your analogue connections correctly.
I bought a Rode NT1A a few months ago and I'm now considering buying a second one. How can I tell whether the two mics are closely matched enough for use as a stereo pair?
We check out: Amps & Pickups 2 **** • Post-Estonia Grand Piano **** • Brush Artistry **** • Distoteque **** • Tower Of Funk *** • Post Orchestral Instruments ***
We're taking a break from examining Sonar 3 to look at some useful features, available in previous versions of Sonar, that we haven't yet covered in this regular column.
Building a home studio is not just about choosing the right gear. The real challenge is making it fit in with the decor. And keeping hold of your wife/husband...
Few audio companies have the reputation of Solid State Logic, but their premium equipment has remained beyond the reach of all but the wealthiest project studio owners — until now! SSL's new all-in-one recording channel boasts preamplification, EQ and dynamics from the awesome XL9000K mixing console, but at a price to which mere mortals can realistically aspire.
If you could have one VST Instrument that emulated a hardware workstation, giving you enough polyphony to produce a complete arrangement with a fairly standard computer, would you be interested? Steinberg and Wizoo think you would...
David Ashman felt that his mixes lacked energy and were sounding 'too digital', so the SOS team set off to his home in Bristol to sort out his monitoring system and mix processing.