
Reaper Subprojects
Reaper 5.11’s new Subprojects facility opens up entirely new ways of working.
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Reaper 5.11’s new Subprojects facility opens up entirely new ways of working.

Reason’s Block feature is the key to turning loops and ideas into fully–fledged songs.

Never one to rest on his laurels, Roger Linn’s latest creation aims to bring unprecedented expressivity to MIDI musicians.

Soft-synth specialist Rob Papen has branched out into the world of processors — but his RP EQ is no ordinary equaliser.

By concentrating only on the components that matter, Roswell have managed to create a classic-sounding mic with a budget price tag.

Rhythmic Robot strike again — and with a double whammy! I can only speculate about this labour of love, feeding an Emulator II with a near–endless supply of 5.25–inch floppy disks.

Designed by Sonicsmiths and released through Big Fish Audio, The Foundry is a Kontakt 5 virtual instrument that is aimed most obviously at sound designers.

These files accompany the Sample Shop articles in the April 2016 issue of SOS.

Small Upright is part of Toontrack’s EZkeys range of products which includes a virtual pipe organ, Mellotron, Clavinet...

Hannes Keseberg: our engineer helps an artist fake a big-ensemble sound by layering recordings of a string quintet.

Use Sonar’s Z3TA+ synth to create exciting rhythmic effects.

Schertler are no strangers to the art of amplifying stringed instruments, and their latest designs don’t disappoint.

Hannes Keseberg: our engineer helps an artist fake a big-ensemble sound by layering recordings of a string quintet.

This month Aaron Gill suggests you focus on what you have.

Venerable British company Soundcraft have delved into their past to create this analogue mixer with a USB–flavoured twist...

The humble speaker stand or desktop speaker platform can make a huge difference to the sound in your room.

We’ve all had those ‘if only I could get rid of the drums!’ moments. Zynaptiq’s innovative plug–in promises to do just that.

Keep on top of fast-moving sessions with Studio One’s Layers and Versions.

Many world-class recording facilities have built up their reputations over half a century or more. Clouds Hill, however, has risen to the top in a mere decade.

We sit down with Chambers and producer/engineer Richard Flack (Joe Strummer, Rudimental, Paloma Faith) in Guy’s beautifully equipped Sleeper Sounds studio in West London.