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Vanguard V24
Stereo Valve Microphone
Vanguard’s new stereo mic is an exclusive tribute to an even more exclusive original.
Published May 2025
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Waves Sync Vx
Pitch & Time Alignment Plug-in
This new ARA2 plug‑in aims to make aligning doubles and backing vocal stacks a breeze.
Published May 2025
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Why I Love... Logic’s Sampler
Paul White
If you like things to be as uncomplicated as possible, Logic Pro’s Sampler fits the bill nicely.
Published May 2025
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Zynaptiq Punch
Transient Shaper Plug-in
With its many‑band approach, Punch is smarter than your average transient shaper.
Published May 2025
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Orchestral Tools Berlin Solo Strings
Sample Library
The latest addition to Orchestral Tools’ Berlin series of sample libraries shines the spotlight on the soloists.
Published May 2025
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Maono PM500
Cardioid Capacitor Microphone
Maono's flagship studio model is the PM500, a fixed‑cardioid capacitor mic.
Published May 2025
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Cubase 14: Pattern Editor Arps | Audio Examples
Hear For Yourself
Sound On Sound May 2025
Cubase Workshop: Audio Examples
John Walden
These two audio file...
Published May 2025
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Pro Tools: Multiband Splitter
Avid Pro Tools: Tips & Techniques
Multiband Splitter opens up a whole new world of processing options.
Published May 2025
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Mic Techniques for Stereo Sound | Podcast
A Practical Approach
David Mellor continues his exploration of microphone polar patterns by discussing techniques for capturing stereo recordings.
Published May 2025
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History Of Samplers | SOS Podcast
From Tape To Digital
Oli Freke talks us through the history of samplers, from the introduction of the Mellotron in 1963, through to current day sampling software, while highlighting the golden era of sampling from the late 80s to early 90s.
Published May 2025
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Guthman Competition Winners 2025 | SOS Podcast
Interview With The Judges
Jeff Albert, Associate Professor at Georgia Tech, and Paul McCabe, Senior Vice President of Research and Innovation at Roland, discuss the 2025 Guthman Musical Instrument Competition.
Published May 2025
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Pascal Gabriel - Music Producer | SOS Podcast
The MixBus Interview
Pascal Gabriel, aka Stubbleman, joins Kevin Paul for his latest MixBus Interview and gives an insight into his working methods, favourite studio equipment and shares some valuable advice to artists and producers.
Published May 2025
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Audient update ORIA Control software
With ORIA Control V1.2 installed, users can now use their Elgato Stream Deck and Avid EUCON surfaces to control their units in addition to the existing iPad option.
Published 30/4/25
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Lewitt introduce Space Replicator plug-in
Space Replicator comes loaded with a set of virtual acoustic spaces, and uses binaural rendering to provide headphone users with realistic-sounding room emulations.
Published 30/4/25
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GForce release Oberheim TVS Pro
GForce Software’s latest release captures the sound of the Oberheim TVS Pro, a duophonic synthesizer that was favoured by artists such as Martin Gore, Adrian Utley, The Prodigy, Peter Baumann and Nils Frahm.
Published 30/4/25
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Darkglass Electronics announce the Anagram
The Anagram packs in an array of amp and cabinet simulations along with a comprehensive collection of effects, and offers a choice of three control modes.
Published 29/4/25
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Ronroco by Gustavo Santaolalla from Spitfire Audio
The latest arrival in Spitfire's Folk & World category has been created in collaboration with Gustavo Santaolalla, the award-winning composer behind the scores of The Last of Us, Motorcycle Diaries and Babel.
Published 28/4/25
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Brainworx launch free bx_mastering studio
The latest announcement from Brainworx sees the company bring the algorithms behind the popular mastering.studio online service to a standalone desktop application.
Published 28/4/25
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Sampleson release Predictor
Sampleson have announced the launch of a new plug-in and application that’s capable of generating notes, triads and chord voicings from simple clicks.
Published 27/4/25
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ADPTR AUDIO Utopia reverb from Plugin Alliance
Created in collaboration with Geraint Luff of Signalsmith Audio, Utopia is said to reimagine reverb not just as an effect, but as a powerful compositional and harmonic tool.
Published 26/4/25