SOUND ON SOUND
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The latest addition to the GRM line-up draws on the company’s extensive experience, but rather than bringing a new effect or processor to the table, uses their technology to power a new sound-design instrument.
We continue our countdown of the most significant technological breakthroughs in recording history.
Whether you want natural pitch correction or the classic pitch‑glitch effect, AutoTune 2026 aims to make things easy.
Add impact and attitude to your drum parts with Cubase’s stock dynamics plug‑ins!
Thought you knew reverb? Eventide’s unique new plug‑in might just make you think again...
This all‑analogue affair takes modulation well beyond the bread‑and‑butter chorus and flanger effects.
Inspired by Studer’s classic 169 console, this handmade EQ is just as suited to mixing work as it is to tracking and mastering.
Asked to nominate a favourite sound from his vast back catalogue, Jeff zeroes in on the drum recording for Shania Twain’s 1997 hit ‘Man! I Feel Like A Woman’.
If there was a monitoring system that was reliable, affordable and sounded the same everywhere, would you use it for mixing? Well, there is — and you probably already own it.
Can a MIDI interface really make a difference? Innerclock Systems think so.
Songwriter, producer and musician Carter Lang has built a stellar career on collaboration and a love of obscure hardware.
Whilst VR isn’t teleporting us to our own personal Abbey Road, it is becoming more relevant in a production context.
With Flashback Capture, you need never lose a magical take again!
The Aum Guitar Prana Pedal is outwardly identical in connections and features to the pedal that came with the company’s original Vibraslide.
Neural DSP’s latest guitar‑rig modelling plug‑in range caters for the modern metal and rock community.
This virtual modular environment can accept patches ported over from the free VCV Rack, and can create virtual patches internally.
Sequencing in Eurorack has always felt like a bit of a problem. How does the Tobinski Sequencer's approach weigh up?
Exay One have entered the Eurorack fray with a remarkable‑looking scanner and panner.
Master Faders offer much more than just level control!
Everything going to the Mackie over USB (on channels 3+4) is coming back on the computer input channels 1+2, whether it’s the metronome or playback of other tracks. Can you help?