SOUND ON SOUND
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These three audio examples illustrate the ideas discussed in February 2023's Cubase workshop.
In this Sound On Sound exclusive feature video, we explore the former Victorian schoolhouse and meet the people who help RAK maintain its reputation as one of the world’s premier recording venues.
To celebrate AKG’s 75th birthday, we’re shining a light on perhaps their most iconic microphone.
The C414 has...
Back in November 2020 Don Lewis discussed his time programming the Yamaha DX7’s factory sounds. In the wake of Don’s passing, we decided to publish this excerpt and put on record his important contribution to this iconic synth.
Best known as the keyboardist and co-vocalist for Brit-Funk legends, Level 42, we caught up with Mike Lindup ahead of his new solo release, Changes 2.
Over time, accurate observations about specific things have a tendency to dissolve into dubious generalisations...
When is a piano not a piano? When it’s been ‘augmented’ by Arturia...
Bastl’s Softpop SP2 reins in the chaos but is still a far from conventional synth.
Cableguys’ box of tricks is a creative processing powerhouse.
Cherry Audio recreate that rarest of beasts, the Elka Synthex.
Billed as an instant mastering device for on‑stage use, the DOCtron IMC could well be an entirely new class of audio processor.
EastWest give the classic string machine sound a modern twist.
Want to use a real Big Muff Pi in your DAW session? With this one, you can just plug and go...
Elta Music have put the heart of the celebrated Soviet synthesizer into a convenient desktop box.
The LXR‑2 is a six-voice, 28HP module with the same sound engine as the LXR‑02...
With its astonishing array of new and cherished effects, Eventide’s ‘everything pedal’ should appeal to guitarists, synth heads and mix engineers alike.
Rating: 4/5 Stars. Fluffy Audio’s Simple Opera Singer may provide a compelling alto and soprano solution for your next musical needs.
We test Fluid Audio’s most ambitious monitor yet.
Freqport’s innovative desktop box makes adding valve warmth to your DAW mixes as easy as loading a plug‑in.
Comprised of an 18dB/octave three‑pole multi‑mode filter, a VCA, two different West Coast‑style wavefolders and a rectifier, at its mildest end the FIL4 very much does what it says on the tin: it sculpts timbre.