SOUND ON SOUND
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Podcasting continues to be one of the fastest growing sectors in the media industry and Rode’s latest endeavour seeks to make professional podcast production easier than ever before.
With more control and functionality than the Plasma pedal that preceded it, is this box the new king of controllable carnage?
For their new range of mixers, Korg enlisted the help of two of the biggest names in console design.
SOS Technical Editor Hugh Robjohns replies.
M-Audio have announced the introduction of two new studio reference monitors, the BX5-D3 and BX8-D3. The company’s...
Why let guitarists have all the fun? Stompboxes can be inspirational mixing tools.
While experimenting with ‘minimal’ drum‑miking setups during a recent lockdown, the author found them really inspiring and captured some great drum sounds. So is it time you re-evaluated the decisions you make when recording a kit?
We put German company Reproducer’s unusual debut nearfield speaker to the test.
Audient’s compact iD4 interface offers a lot of bang for pleasingly little buck.
PreSonus' popular Eris range has been given an XT upgrade. We put them to the test!
Harman Professional Solutions have introduced three new Soundcraft Notepad mixers. The ...
Apogee increase the range of their Symphony I/O MkII interface with a module aimed squarely at mastering.
Fluid Audio's SRI-2 keeps things simple but doesn't skimp on build quality and design.
Kali Audio, an audio startup based in Southern California, have announced their debut product line, the Project Lone Pine studio monitors.
The physics of loudspeakers have hardly changed in a century — but DSP and material science have come a long way, and the Pulsar takes full advantage.
The SOS team help a reader track down the source of some mysterious hums and buzzes!
This remote-controllable preamp boasts some unusual features aimed largely at the live-sound market.
The newest mic from Polish company HUM Audio comes in either long- or short-ribbon varieties. So we tried them both!
Ocean Way’s newest studio speakers bring the sound of ’70s horn‑loaded mains to the nearfield monitor format.