SOUND ON SOUND
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Continuing his series on setting up a recording environment based around a Mac or PC computer, Paul White goes through the hardware and software options for recording audio alongside your MIDI tracks.
Unlike most eight-channel interfaces, the Presonus Firepod includes eight mic preamps — at a very appealing price.
In the last few years, Solid State Logic have been concentrating a lot of effort on the project studio market, and this new Alpha Channel makes their high-end console technology available in an affordable rackmounting channel strip.
Universal Audio have combined their considerable audio expertise and renowned DSP platform to create their first audio interface: the Apollo.
Digitech's RP21D, with its digital output, is aimed at both studio and live use. John Walden joins the digital age...
Presonus’s USB 2 interface promises tight integration with their Studio One software at a competitive price.
Most computer audio interfaces don't offer the RIAA equalisation required to attach a turntable directly, but ART's neat problem-solver is designed to do just that.
I recently purchased a Mindprint DTC and I've noticed that it produces quite a lot of hiss. It is not so obvious to the ear...
Prism Sound have only just announced their new Titan audio interface, and already they're readying their next. The Atlas is the newest in the line of Orpheus-derived interfaces and is set for a launch at the NAMM show in Anaheim later today.
Press Release: Internationally renowned manufacturer Prism Sound will score a hat trick at NAMM 2014 when it unveils Atlas - its third new interface product to be launched in just eight months (Booth 7123).
The Roland Studio Capture offers a very generous amount of analogue I/O and an unusually high level of digital control.
I read Tom Flint's piece on the Zoom MRS1608 multitracker and think it may be the right machine for me. I still use a...
With their latest Firewire interface, Presonus promise high audio quality at an affordable price, thanks to the use of software controls instead of physical knobs.
Dan Lavry has gained a reputation for creating some of the best A-D converters on the planet — and this time you get mic preamps as well!
Mike Collins investigates the versatile AardVerter — a 16-bit converter packed with features.
Apogee's new converter builds on the reputation of the original PSX100 and Rosetta units, upgrading the sonics and adding a pile of new facilities, including sophisticated jitter-reduction processing and sample-rate conversion.
Paul White meets the latest version of Alesis' Quadraverb concept, and finds it respendent with 20-bit I/O, improved digital and analogue interfacing, and a proper internal PSU.
If you are on a tight budget, ESI's new PCI audio and MIDI interface gives you more ins and outs for less money. But how does it stack up sound-wise against its pricier competitors?
The baby of the MSD series of stereo meters gets an overhaul with a new colour LCD panel.
Looking for an audio interface that puts all the controls and I/O right where you need them? Check out our round-up of desktop devices.
Two new half-rack boxes offer considerable operational flexibility and pristine sound in both the analogue and digital domains.