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Unlike most eight-channel interfaces, the Presonus Firepod includes eight mic preamps — at a very appealing price.


RME’s successor to their popular Babyface audio and MIDI interface is finally available. Does it live up to the company’s usual high standards?

Digitech's RP21D, with its digital output, is aimed at both studio and live use. John Walden joins the digital age...


In the last few years, Solid State Logic have been concentrating a lot of effort on the project studio market, and this new Alpha Channel makes their high-end console technology available in an affordable rackmounting channel strip.

The Apollo Twin brings impressive sound quality and UA plug-ins to the desktop, along with unusually versatile mic preamps!

Mike Collins investigates the versatile AardVerter — a 16-bit converter packed with features.

Mackie have bundled eight of their popular Onyx preamps into a 1U rackmount audio interface. We put it to the test...

Most computer audio interfaces don't offer the RIAA equalisation required to attach a turntable directly, but ART's neat problem-solver is designed to do just that.

I recently purchased a Mindprint DTC and I've noticed that it produces quite a lot of hiss. It is not so obvious to the ear...

Fifteen years after releasing their first D-A converter, Dangerous have brought out their first A-D. Was it worth the wait?

Which audio interface is right for you and your Pro Tools system?

Paul White meets the latest version of Alesis' Quadraverb concept, and finds it respendent with 20-bit I/O, improved digital and analogue interfacing, and a proper internal PSU.

I read Tom Flint's piece on the Zoom MRS1608 multitracker and think it may be the right machine for me. I still use a...

With their latest Firewire interface, Presonus promise high audio quality at an affordable price, thanks to the use of software controls instead of physical knobs.

UA’s updated Apollo Twin packs in more DSP power and improved audio performance.

Apogee's new converter builds on the reputation of the original PSX100 and Rosetta units, upgrading the sonics and adding a pile of new facilities, including sophisticated jitter-reduction processing and sample-rate conversion.

Don’t have a great-sounding room? Can’t turn your amp up to get the sounds you want? Want to turn down your speaker without sacrificing your tube amp’s tonality? Maybe this changes everything...