SOUND ON SOUND
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Beyoncé's second solo album, B'Day, has yielded two of the biggest singles of the year. Jason Goldstein tells us how he put together hit mixes for 'Déjà Vu' and 'Irreplaceable'.
A workshop on using Logic's off-line pitch-shifting, as well as advice on how to protect your finished tracks from accidental damage. Plus more tips, tricks and problem-solvers...
Designed as a replacement for high-end tape-based multitracks, Otari's original RADAR 24-track random access recorder/editor captured a sizeable chunk of the pro market. We take a look at its successor, RADAR II, which offers a host of enhancements including 24-bit audio.
Brief appraisals of another selection of software Plug-ins from Disco DSP, Cutter Music, Kjaerhus Audio and PSP.
An effect invented by Abbey Road engineers has become a studio staple. Waves have painstakingly recreated its original implementation.
Flying the flag for a distinctively British sound, and scoring some huge hits in the process, Cenzo Townshend is one of the UKs hottest mixers. He gives us the inside track on Florence and the Machines hit Youve Got The Love.
Sometimes the simplest-sounding music takes the most work to get right, and so it was with Johnny Cashs posthumous hit album American VI: Aint No Grave. Engineer and mixer David R Ferguson was on hand at every stage of Rick Rubins production.
Is Elektron’s polyphonic sampling workstation their most musical device yet?
The latest entry to Slate Digital’s VMS range promises unparalleled flexibility when recording instruments.
Our series concludes with the 10 most significant technological developments that have shaped — and continue to shape — everything we hear.
There’s lots to catch up on as PreSonus Studio One becomes Fender Studio Pro.
AudioScape’s new Pultec‑inspired rack is a no‑compromise stereo take on the classic passive equaliser.
Can Softube’s Flow Mixing Suite cover all your mix processing needs within a single plug‑in collection?
Designed to apply broad strokes rather than surgical correction, Tilt-Q is said to be capable of adding clarity, depth and balance to a mix while helping to ‘glue’ tracks together.
Poly Flanger is described as a “musically intelligent flanger”, and has been designed to create modulation effects that remain in key with the source material.
The latest Ableton Live update comes loaded with new features and improvements to the DAW itself, as well delivering some enhancements to Ableton's Push and Move hardware and the Note mobile application.
Sometimes, nothing beats the unpredictable swoosh and whoosh of the classic tape flanging effect. And you can recreate it in your DAW...
The Live III is the most powerful and flexible MPC yet...
Your SOSFA subscription gives you access to some super plug‑ins by Audified. Let’s see what they can do...