SOUND ON SOUND
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There are plenty of good reasons to build a studio in the city centre: convenient access, an abundance of dining options on...
Guest engineer Andy Brook discusses his approach to recording the legendary British rockers' 33rd studio album.
The PreSonus Atom offers hands-on control and tight integration with their Studio One DAW.
Arturia take their KeyLab controller keyboard range to the next level.
Disappointed with the commercial mix of his band’s track, Barnabas Koch sought the help of our tame engineer...
Find out how to get the most out of Cakewalk's ripple edit modes.
Hardware controller specialists Nektar turn their attention to software with the versatile and capable Bolt synthesizer.
How should I pan my drum recordings in the mix? For instance, should the hi-hat be on the left or on the right?
Fresh from recreating the CS80, Black Corporation set their sights on another classic polysynth...
Our engineer weighs up the benefits and pitfalls of a 'stems-only' approach to mixing and mastering an album for a self-recording band.
For those wanting realistic acoustic drum parts, we don’t yet have a candidate for ‘EZ Drummer in an app’. Which is something that Blue Mangoo, the developers behind the excellent iFretless apps, are trying to achieve with Drum Session.
iZotope's AI-based plug-in suite grows ever more intelligent with the addition of an automated mix-balancing tool.
Many engineers believe that Neumann's classic KM84 has never been bettered. Have Warm Audio produced an affordable alternative?
We walk you through the new features in Live’s Simpler sampler.
What’s the biggest threat to your studio livelihood?
Whether you’re recording music, speech or wildlife — indoors or out — DPA’s newly enhanced stereo mic set will ace the job!
Located in the North West of the Argentine capital Buenos Aires, El Pie was built in 1992 by famous singer, composer and musician Alejandro Lerner...
Film scores from the golden era of jazz were the inspiration for Sonokinetic’s latest sample library.
What does it take to transform a composer's sample-based demo into a form that real musicians can read and play?