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Cubase SX supplies us with a comprehensive set of editing tools, but the manner in which they can be used varies enormously — and also depends upon the task at hand...

Jim Abbiss decided to go back to basics and make records the way he wanted to make them. The result? The fastest-selling debut album in history...

Following on from last month's sneak preview, here's the full SOS hands-on test: If you're looking for characterful compression and EQ to warm up your computer-based mixes, Focusrite's Liquid Mix might just be the answer.

With their latest monitor design, M-Audio are aiming higher than ever before. We put the EX66 to the test...

Knowing the right microphone for the job, from the huge variety of types and models available, is an essential skill for anyone who records regularly, and can make the difference between sub-standard and spectacular results. Follow our essential guidelines to ensure you always make the optimum choice.

A top-notch jazz session is given a touch of class at mixdown.

Last month, we looked at how to build a DAW-like audio mixer in Live's Session view. This time, we'll turn our attention to MIDI channel strips, navigation, and tracking in the Arrangement view.

DP5's new virtual instruments have all the facilities you need for creating large and well-organised libraries of patches and samples, easily accessible and portable between projects and computers - as long as you know where to look.

Digidesign unveil a suite of powerful new mixing and automation features with this major HD release of the Pro Tools software, and throw in a surprising number of other goodies at the same time.