In the May 2015 Mix Rescue article, Mike Senior talks about how he bounced out a mix any number of times to compare it to his references. I understand the purpose of referencing, but what I don’t understand is why he bounced out the mix.
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I’m working on an acoustic track and would like my vocalist to sing backing vocals in a more ‘breathy’ way. Are you able to offer some vocal coaching tips that I can ask him to try?
I’ve been using the Haas delay effect to add some nice width to my guitar parts. It sounds great, but I’ve noticed that when I listen in mono my guitars pretty much disappear from the mix. Is there any way at all to make this sort of thing more mono-friendly?
I get the impression that manufacturing tolerances for mid-range and cheaper microphones are not always as tight as one would desire. If I found a mic I liked, and were then to go out and buy that model of mic, might the one I tested and the one I bought sound significantly different?
When I sit at my listening position, at the apex of an equilateral triangle with my monitors, everything sounds OK. When I shift my head things that were panned centrally move immediately to the side, and seem to come just out of that one speaker. Is this the way it’s supposed to be?
I can’t find good explanations about the ‘Playback Resample Mode’ options available in Cockos Reaper, specifically the difference between the Good (64pt Sinc) and Better (192pt Sinc — Slow) modes.
I’m seeking some guidance on why I’m unable to record from my guitar amp straight to my audio interface.
My band tracked some songs at a local studio using their Pro Tools rig and I want to mix the tracks at home in Reaper.
I’ve recently become interested in manipulating phase while mixing recorded drums to see what that would do.
I have a friend who has a problem. He uses two different amps on stage, one a Marshall and the other a Hughes & Kettner, with a 2x12 and 4x12 cab, respectively. Is there any way he can just use one cab for both amps?
SOS Technical Editor Hugh Robjohns replies.
I have some of my condenser mics running into more than one preamp, via a passive mic splitter, with only one of the preamps applying phantom power. Is this the way it should be?
I’m using the MeldaProduction Mixing Bundle plug-ins and I noticed that certain instrument patches sound very appealing and wide, but when I check them on Melda’s MStereoScope they appear fairly heavily out of phase. Should I worry about this?