Nostalgia Reborn brings together more than 4500 samples drawn from over four decades of electronic instruments, delivering an all-in-one genre-spanning collection that promises to fit into just about any modern production.
First remote-collaboration tool to achieve official approval
The software now boasts 128 audio streaming channels and supports any combination of beds and objects, along with full metadata integration, allowing directors and stakeholders to attend Dolby Atmos playback and mixing sessions from their preferred location or setup.
I’ve introduced a Line 6 HX Stomp into my pedalboard (it’s really good!). Trouble is, the USB connection is introducing a noticeable ground hum when connected.
The SOS Awards celebrate innovation and contemporary design. Congratulations to all the Winners, as well as the very worthy close contenders in each category who have been awarded our Highly Commended accolade.
The latest version of Steinberg's popular editing and mastering software introduces a whole host of new features, many of which centre around the suite’s Dolby Atmos capabilities.
A free update has been released for MeterPlugs' Loudness Penalty Studio, bringing a range of performance improvements, new analysis tools and expanded reporting features in version 1.5.
Vienna Symphonic Library have released Vienna Ensemble Pro 8 and 8V, representing major updates to their established networked mixing and hosting environment.
Roland have announced several new products and updates across hardware and software, led by the launch of GO:MIXER STUDIO, alongside new software and plug-ins for the Roland Cloud.
Avid will be showcasing the latest enhancements to Pro Tools, Sibelius and Venue families at NAMM 2026, as well as hosting a series of talks and demonstrations at their booth.
Electric Keys - Tines has been designed to provide users with a definitive collection of classic sounds, and promises to deliver the bell-like tones and gritty bark that defined a generation of R&B, funk and classic rock tracks.
Polarity Modular has been designed in collaboration with UK-based synthesist Ian Boddy, and has been built around 250 custom waveforms created with his extensive collection of modular gear.
The latest addition to the GRM line-up draws on the company’s extensive experience, but rather than bringing a new effect or processor to the table, uses their technology to power a new sound-design instrument.
Everything going to the Mackie over USB (on channels 3+4) is coming back on the computer input channels 1+2, whether it’s the metronome or playback of other tracks. Can you help?
I’ve been using Reaper on Windows for years, but I need a new computer and I’m thinking of getting a Mac. Will Reaper on Mac be able to open my files, or do I need to tweak anything?