DAW Software

We take a look at the concepts of audio files, clips, events, parts and regions in Cubase, and explain how you can manage these objects in the Pool window.

After months of speculation Apple have finally announced the release of the first major Logic 7 upgrade, but what can users expect from version 7.1?

We explain how you can mock up a live acoustic guitar sound from a DI'd recording, using Logic's built-in plug-ins.

Now that the excitement surrounding the launch of DP 4.5 has subsided somewhat, developments by MOTU-friendly companies get this month's column under way.

If you are a user of MOTU's Digital Performer sequencing software, you have access to an extensive and full-featured automated mixing environment. Here's how to use it...

This month sees a high-quality, free EQ plug-in gracing the Digirack suite, some intriguing options for collaboration via the Internet, and a host of updates.

For the first time ever, Digidesign's Pro Tools recording software is available as a stand-alone product, which can be used in conjunction with any of five audio interfaces from M-Audio.

Pyramix might be the new kid on the block as far as audio recording and editing are concerned, but that hasn't stopped it quickly proving itself a very serious rival to Pro Tools and other established DAWs.

Most people find that learning keyboard commands for their DAW enables them to get things done faster, and for the advanced user, Pro Tools has a special mode which turns the entire QWERTY keyboard into a bank of one-press shortcuts.

With some clever programming, an Italian software house have created a program that claims to add an audio input to Reason. We take a sneak peek, as well as bringing you essential Reason news and quick tips.

Cakewalk go global, and release a new soft synth.

The tools available in Magix's highly regarded recording package cover every stage of the recording process, from MIDI sequencing to mastering and CD burning. Version 8 adds some neat extras including analogue-style processors, a virtual drum machine and an Acid-style beat-mapping tool.

The most exciting addition to the new version of Reason is arguably the Combinator device, which greatly expands the flexibility and programming potential of everything in the Reason rack. We guide you through the creation of a Combinator patch to get you started with this great new device.

The TTS1 soft synth bundled with Sonar 4 has many hidden talents — but you have to know where to find them. Read on...

Steinberg originally introduced the concept of Folder tracks in Cubase VST, as a way of organising the track list in the Arrange window. This month we look at how this feature became even more powerful in Cubase SX, and how to make the most of it.

Combining Logic's Catch and Link modes can greatly increase the usefulness of multi-window Screensets, but it is not always clear, especially to new users, how the various options work.

We explain how to tweak your tracks with MOTU's answer to Sony's Oxford EQ and speed up your workflow with the essential DP keyboard shortcut selection!

We bring you all the latest news from the Digidesign universe...

Whatever computer recording system you use, the chances are it's going to fall over sooner or later, and Pro Tools is no exception. So before you call the technical support line, take a look at Sound On Sound's guide to diagnosing and fixing the most common faults.

This month: new Refills and tweaking techniques for Reason v3, plus the usual haul of time-saving tips.

Astonishingly, Reason is now over four years old! Version 3 adds performance-enhancing features and mastering facilities, losing only Mac OS 9 support on the way. We bring you the first UK review of the full release version.