I’ve got to the point at mixdown where I’d usually be thinking about sending everything through a couple of global reverbs/delays with a view to simulating a soundstage. Would this have actually been possible for a mix engineer in that decade?
We sit down with Chambers and producer/engineer Richard Flack (Joe Strummer, Rudimental, Paloma Faith) in Guy’s beautifully equipped Sleeper Sounds studio in West London.
Coldplay’s unlikely alliance with R&B hitmakers Stargate resulted in a truly trans–Atlantic production, which saw co–producer Rik Simpson clocking up plenty of air miles!
Sometimes you can’t quite capture an instrument as you’d hoped, but when it comes to the mix there are a few tricks that will help get you out of a hole.
When Ornette Coleman died last year, a planned celebration of his 85th birthday turned into an epic tribute album. Either way, no-one wanted a “jazz guy” to mix it...
Why do people put delays and reverbs on a separate track instead of putting it with the track that has the EQs and compressors? Do you have to do this?
The Spooky Men’s Chorale Live At The Sheldonian Theatre
Our intrepid PA correspondent was tasked with amplifying a 17–piece vocal group in one of the UK’s most prestigious — and acoustically challenging — venues.
Just what should you expect when engaging a professional arranger or orchestrator to work on your own production? We find out from some of the best in the business...