SOUND ON SOUND
The Pro Tools Preferences offer a surprising number of ways to configure operation to your tastes.
Studio One's Multi-Instrument environment can make even the simplest instrument sound like a million dollars! Find out how...
We get avant–garde with some seriously experimental ways to use synthesis, sampling and effects to 'prepare' any instrument by altering its sound note-by-note.
Take our tour of the new features in DP10.
We continue our exploration of Cakewalk's oft–overlooked Sonitus plug-in suite.
With 32 songs and more than two hours of music, mixing Chris Brown's album Indigo demanded stamina as well as talent!
With ARA 2, Melodyne can be just another part of Cubase...
Last time we met producer Lincoln Grounds, he was recording ’50s style. This month, he shows us how to get a vintage sound...
What does it take to transform a composer's sample-based demo into a form that real musicians can read and play?
Some creative thinking and a little DIY pay real sonic dividends when recording four vocalists.
Listen to these audio examples which accompany this month's Session Notes workshop.
Cubase Pro 10's Audio Alignment Panel can do more than just deliver tight backing vocals!
Ableton Live 10.1, the first incremental upgrade to Live 10, has something for everyone and multiple improvements for most users.
We show you how to get Reason and your hardware or software modular synths speaking the same language.
Cubase Pro 10's Audio Alignment Panel can do more than just deliver tight backing vocals!
The new MIDI Note Actions introduced in Studio One 4.5 offer intriguing creative possibilities.
Logic's MIDI plug-ins are great, but getting access to the data they output can be tricky. Here's how it's done...
Lil Nas X's novel mash-up of trap and country provided an unexpected showcase for the talents of a leading vocal producer and mixer.
The iLok system is here to stay, but there are now more alternatives to a physical dongle.
Hal Ritson of mashup electronica act The Young Punx teams up with drummer Alex Reeves at SNAP! Studios. Their aim? To recreate the unique sound of Police drummer Stewart Copeland.