SOUND ON SOUND
We explain how to get Ambisonics working in Logic Pro X.
If you're a magazine newsstand buyer and don't have access to the web articles, here are the 5 videos to accompany this issue's Cubase Pro techniques column.
Our engineer has the rare chance to compare an overdubbing approach with a band-in-the-room recording — and the winner is clear!
In mixing a live recording of a jazz concert, our engineer had to overcome some unusual spill-related challenges.
Listing of all SOS May 2019 issue's articles which feature accompanying media files.
Here's how to create glassy, ambient 'shimmer' reverbs in Logic Pro X.
We show you how to integrate your modular soft synths with Ableton Live DAW.
The audio files available on this page accompany my Session Notes article in SOS May 2019 about recording a rock band...
Pro Tools' MIDI implementation still has a bad reputation, but the reality is now very different.
We show you how to keep Reason in sync with the outside world.
When you record multiple sources in one room, bleed is inevitable. And, used creatively, bleed can make good recordings even better...
Find out how to get the most out of Cakewalk's ripple edit modes.
Production crew TMS LDN built their career the hard way — and wrote Lewis Capaldi's smash hit 'Someone You Loved' in an afternoon.
Cubase Pro 10's VariAudio 3 competes with the best pitch-correction plug-ins around. Find out how by reading our article and watching the videos.
Impact XT isn't only a drum sampler: used with loops, it makes a powerful live performance tool.
Digital Performer has all the tools you need to sculpt the perfect vocal sound.
We load up the magic buses to take a psychedelic rock mix on a fresh trip.
Our engineer records a rock trio while trying also to offer sufficient options to create a drum sample library!
Listing of all SOS April 2019 articles with accompanying media files.
The highlight of Queen biopic Bohemian Rhapsody is a meticulous recreation of their most famous live show — using a fresh mix of the original audio recordings.