Article section list

Here's how to manipulate pitch and time in Logic Pro X.

Chris Rabold has gone from selling T-shirts out of a van to mixing Bruno Mars' epic two-year 24K Magic tour.

Cubase 10.5's Padshop 2 granular synth can create wonderfully engaging pads from any sample.

Pro Tools offers numerous ways to beef up an anaemic low end. We show you how...

After a few last stereo adjustments, it's time to prepare your Studio One masters for release.

Reaper's multichannel WAV support makes comping multitracks a breeze.

We show you how to use Reason as a plug-in within Ableton Live.

Our engineer visits a reader's home studio to help improve his mixes, and shows that you can get great results from even the modest of monitors.

We look at how you can use MIDI velocity to manipulate Live and route notes to different instruments.

Speed up your Logic Pro X workflow with these time-saving tips.

Could Cubase 10's Channel Settings window become your go-to mixing tool?

Do your virtual acoustic drum parts never seem to work in the context of a mix? Here's how to fashion more natural and compelling results...

There's more to Avid's Pro Expander plug-in than meets the ear...

After unknown busker Tones and I teamed up with unknown producer Konstantin Kersting, she soon became very well known indeed!

We show you how to work with irregular tempos and rhythms in Live.

VCA (voltage-controlled amplifier) faders don't pass audio. Rather, they act as 'remote controls' for other faders: assign a...

When producer Sam Williams discovered Supergrass, he knew he had to capture the band's infectious energy on tape.

We explore three of the MasterWorks processors: MW FET‑76, MW Leveler and MW Compressor.

Guest engineer Andy Brook discusses his approach to recording the legendary British rockers' 33rd studio album.