SOUND ON SOUND
Dynamics processing is a core mixing technique, but it’s often misunderstood. We explain how to make a compressor do what you want it to!
We go behind the scenes at Real World and meet the team who help make it one of the world’s premier recording facilities. Peter Gabriel’s personal engineer Dickie Chappell also gives us an exclusive sneak peek into Peter’s writing room and recording process.
The latest addition to Focusrite’s AI‑powered Collective makes great‑sounding reverbs easy to achieve.
Paul White looks back over the history of the echo effect, from tape loops through to plug-ins, and explores how modern echo effects can be used as sound design tools.
Rob Puricelli talks to Ian Boddy, who has been a fixture on the electronic music scene for over 40 years, as an artist, a sound designer and a label owner.
There’s more to Reason’s new Mimic creative sampler than meets the eye...
New York‑based engineer and producer Andrew Maury, when asked to pick a favourite sound that he’s worked on, nominates the drum mix he created for Lewis Del Mar's ‘Loud(y)’.
