Audio Interfaces

The Echo 2 certainly looks the part, with its contemporary touchscreen interface, but does it back up the style with substance?

Ethernet-based audio interfaces seem set to be the next big thing in digital audio, and forward-looking manufacturers Focusrite are getting in on the ground floor.

Looking like a typical guitar effects pedal, iRig Stomp is actually a guitar interface that will work with iOS devices, and is compatible with most iOS signal-processing apps.

Alva’s debut audio interface combines versatile single-control operation with impressive sound quality.

A little package from Avid lets you run a full Pro Tools HD Native system from your laptop, with huge track counts and negligible latency.

MOTU have brought their expertise to bear on a new desktop audio interface, the Track 16.

This sleek four-channel interface and monitor controller embodies all the quality and style we’ve come to expect from Apogee.

The Forte is Focusrite’s attempt to build the best compact USB audio interface possible. Have they hit this ambitious target?

Sound On Sound was given an exclusive sneak preview of the first production units in advance of the official product announcement on October 12th.

iTrack Solo is Focusrite's first audio interface designed for use with iOS devices, although it can also be used with a computer via its USB 2 connection.

Check out the SOS roundup of 12 of the current interfaces on the market with links to the SOS review where available.

The new Microbook’s miniature exterior hides surprising depths of functionality.

Presonus’s USB 2 interface promises tight integration with their Studio One software at a competitive price.

Steinberg’s latest interface features a generous complement of I/O options, flexible foldback and a fully fledged monitor controller.

We check out the Tascam iU2 audio interface, and sneak a peak at Reactable's Mobile tactile synth for iOS and Android.

These technical specifications accompany the article

Boasting reference-quality converters, the Hilo also promises to be future-proof...

Universal Audio have combined their considerable audio expertise and renowned DSP platform to create their first audio interface: the Apollo.

Yamaha have added USB interfacing to their established digital mixer. Is this enough to ensure it keeps pace with more recent competition?

Akai’s latest audio interface boasts a formidable feature set and an emphasis on robust hardware and simple operation.

The move from HD to HDX marks a leap into the unknown for high-end Pro Tools users. What exactly does Avid’s new DSP platform offer?