DAW Software

Find out how to use the I/O plug-in within an Output Audio object, and also learn how Logic's improved plug-in delay compensation allows some powerful new mixing techniques.

We feature a bumper crop of handy tips in this month's guide to all that's good in Pro Tools...

A new Refill is reviewed and ways around some common Reason problems are offered.

This month, fun things to make and do with Lexicon's Pantheon reverb, plus how linking clips can make your life easier...

The Key Editor is a seemingly straightforward MIDI editor, yet under its surface lie a number of features that can really speed up your editing tasks. We explain, as well as reporting on the new version 2.2 Cubase update.

The Aux object might seem a little arcane, but it's the key to a variety of useful Environment workarounds.

PT version 6.4 comes with some surprising and long-awaited new features.

SOS's 2003 Reader Survey told us that you want our help in getting the best from this popular package — and we're happy to oblige with a new monthly column.

We explain how to transfer projects between DAWs that speak OMF, and look at some clever envelope tricks.

We conclude our look at DP's Consoles, and suggests some ways of 'future-proofing' your Projects against the relentless flow of application and plug-in updates.

If you get that sync'ing feeling when using Cubase in conjunction with external hardware devices, you may need to know more about its synchronisation options. We explain what's what.

Learn how to set up Logic's Environment so that you can jam with other musicians in real time on a single system.

A common occasion for grief in Pro Tools is when moving projects from one system to another. Here are some tips to help you keep your hair.

We investigate a new DXi option that makes vocal manipulation as easy as editing MIDI data. Plus the usual haul of Sonar power tips...

Fancy turning your knob-laden MIDI synth into a control surface for tweaking plug-in synths? DP's Consoles make this kind of application possible.

Continuing our exploration of surround sound in Cubase SX 2, this month we turn to using stereo and multi-channel plug-ins in a surround mix.

Although beat-slicing is something more immediately associated with programs like Propellerhead Recycle or Bitshift Audio Phatmatik Pro, Logic also has facilities to automatically chop up your loops.

You don't need a Pro Control to get some hands-on control of Pro Tools. You don't even need one of the 'supported' MIDI control surfaces: pretty much anything with knobs on will do. Read on...

Find out how to load REX files into Sonar, discover which digital audio editors work best with loops, and explore some useful envelope techniques.

If you've never investigated DP's Consoles feature, you may be missing out on interesting MIDI and Audio control possibilities. We explain, as well as introducing a couple of indispensable new utilities.

As more musicians and audio engineers begin to explore the potential of surround sound in project studios, we take a look at Cubase SX 2's revised multi-channel architecture, which gives it advanced surround capabilities.