There's more to Prologue than its presets — and it doesn't take long to create some excellent and unique patches.
Crafting the perfect mix is a difficult task, but often all you need is a bit of organisation to make things quicker, easier and more rewarding.
Cubase 4.1 brings a wealth of new features: we explore what you can do with the new side-chaining function.
These files accompany Cubase Technique article in the November 2014 issue.
Cubase has all the tools you need to add vocal glitching effects to your pop or EDM tracks.
Our recent explorations of the new software synthesizers introduced in Cubase 4 conclude with a tour around Spector...
Here are the URL links to the audio examples that accompany and enhance the July 2008 Cubase Notes article.
For some, the jury is still out on Steinberg's ambitious SoundFrame and MediaBay concepts, but for certain tasks they can definitely be useful — getting your loop library organised, for example...
Cubase's new routing options enable you to export multiple audio tracks in one go: we take you step by step through the process.
Kick drums and bass instruments underpin most contemporary popular music, and it sometimes pays to tweak performances so they work better together.
If you want to group tracks in Cubase, Group channels aren't always the best option. We explore what you can and can't do with the Link Channels function.
Having done your best to capture a high-quality recording of your vocals, how best do you go about processing them so they work in your mix?
The ZIP file of the Cubase 7.5 project template.
I’ve long wished Steinberg would implement true VCA–style automation in Cubase — it is, for me, a critical...
Cubase's audio warp facilities provide a powerful toolkit for manipulating the timing of recorded audio to fit grids and grooves.
Early notes, late notes, stacked notes... There's a range of problems that could stem from MIDI timing issues — but fortunately we have solutions to offer.
Cubase's built-in VariAudio pitch processor isn't just for vocals...
It's so easy to reach for the same audio plug-ins time after time - but MIDI plug-ins such as Arpache can bring something different and shouldn't be overlooked.
With Cubase 4.1, Steinberg overhauled the Sample Editor, creating a very powerful new tool for real-time pitch and time manipulation.
Here are the files that accompany SOS February 2009's Cubase 4 workshop on Drum Maps.
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