A major update to PreSonus’s cross–platform DAW sees Studio One take some popular feature concepts to new levels.
This month we introduce Studio One users to some of the riches on offer in the new version 3.
Audio files to accompany the Studio One article.
The right reverb treatment can turn almost any sound into source material for filter mayhem in Studio One.
Studio One’s Paint tool has some novel automation applications.
We continue our catalogue of crafty Studio One techniques for better bass sounds.
We present five easy ways to fatten up your bass lines in Studio One.
There’s plenty you can do in Studio One to stop loop–based music being repetitive and dull.
Audio files to accompany the article.
For maximum effect, combine Studio One’s bundled distortion plug–ins in a parallel signal chain.
If you’re in search of novel effects in Studio One, fire up the Autofilter plug-in!
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Properly archiving your finished projects is vital. Here’s how to do it in Studio One.
Studio One lets you apply effects directly to audio Events, opening up innumerable creative possibilities.
The ability to sync delay times and other Studio One parameters to tempo is a fertile source of inspiration.
Studio One's macros can take the legwork out of repetitive tasks.
Studio One supports many varieties of time‑stretching.
Studio One's Sound Sets are the perfect vehicle for sharing samples and sounds.
Studio One MIDI sequences can incorporate any note division, no matter how bizarre!
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