Korg's newest workstation heavyweight boasts 32 recording tracks, a powerful 44:12:2 mixer, a programmable drum machine, and up to 11 simultaneous effects — all for under £1000. Read our hands-on report...
I use MIDI-sequenced sound modules for backing, so I am considering the option of sync'ing my sequencer with my AW4416 and running the modules in time with the recorded material. Or is it more sensible for me to record the module outputs to the hard drive?
Back in 1986-7, there was an ad for an amazing and inexpensive technique which, it claimed, added many more audio tracks to your eight-track reel-to-reel tape machine. How did it work?
I previously owned a DPS12 and that was fairly simple, but the DPS24 manual talks about using 'groups' to route inputs to tracks. What is a group and how are they used?
Combining the guts of an 02R mixer with a fully featured multitrack recorder, the AW4416 ended up being a prodigiously complex beast. Our hands-on workshop shows you which of those snazzy features work best in practice, and how to use them efficiently.
I have a Roland VS2480 connected to a PC via a co-axial cable to transfer audio digitally to the DAW. When I set the digital clock source to the PC's co-axial input everything is hunky dory. If I disconnect the PC and use the internal digital clock in the VS, it plays back at a slower speed. Why?