SOUND ON SOUND
Plucked from the Dreadbox collection of modules, Omikron is a 22hp dual VCO, while the Lamda is a 20hp multi-mode filter.
Apogee’s Symphony interface has been Thunderbolted, touchscreened and released back into the world as the Symphony MkII.
Fostex’s new headphone range offers closed, open and ‘semi-open’ options. But what’s the difference, and which would suit you best?
EHX have produced two versions of their Lester rotary-speaker pedal, one for keyboard players and the other specifically tailored to guitar.
Audient’s flagship mixer is treated to a Heritage Edition makeover and several useful new features.
We took HK Audio’s new mid-priced active speakers to an outdoor festival to see if they could cut the mustard.
A reinvention of Wavelab’s user interface aims to make its powerful feature set easier to use.
Combining characteristics from various classic equalisers, including the designer’s originals, the Swift isn’t quite like anything else.
TC’s HyperGravity compressor pedal is unapologetically digital and is based on the algorithms developed for TC’s high-end System 6000 platform.
This compact module will serve as four linear VCAs or as a four-input mixer — for audio or control signals.
Zähl Audio’s consoles have long been cherished by professionals, and this unit should bring their sound to a wider audience.
Soon, for the first time in 35 years, you will be a able to walk into a shop and buy a brand-new Minimoog. But will it be as good as the original? Find out in our exclusive review.
Marble is a seamless blend of synthetic and acoustic sources. Its 63 instruments are split into Harmonic, Percussive and Textures, and each patch consists of two components taken from them.
It’s an audio interface. It’s a digital mixer. It’s an eight-way microphone preamp... but how well does the US20x20 perform in use?
Early last year the Viennese company supplemented their Choir with a much-requested library of solo voices, which we examine here along with other VSL releases.
Designed by PandaMIDI in Hungary and inspired by the long-discontinued Akai Deep Impact, this unit adds a useful range of extra features.
Drips is a complete analogue drum voice that can be tweaked to produce kicks, snares, hi-hats and so on as well as Kraftwerk-style zaps and thwaps.
In the quest for ever more elegant ways to integrate analogue gear with DAW software, Polish manufacturers Wes Audio are leading the pack...
The curious Gizmo polyphonic guitar sustainer is reborn. Can this new version succeed where the original failed?