SOUND ON SOUND
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Rating: **** 4/5 Stars. These affordable mini‑libraries provide users with the immediately recognisable and colourful instrumental combinations frequently heard in classic movie scores.
Rating: **** 4/5 Stars. This 3GB of sample content is aimed at the more raucous end of the drumming scale; think rock, garage, punk and grunge.
Wouldn’t it be nice if there were a simple, intuitive way to place sources in your immersive, surround or binaural soundstage? Well, now there is!
The WaveLab department at Steinberg have been very busy indeed...
We show you how to configure your inputs, outputs and audio routing in PreSonus' flexible DAW.
Japanese producer and artist Hinako Omori receives the SOS desert island treatment...
Toontrack add a fine and upstanding acoustic expansion for EZbass.
With your lead vocal performance comped and tuned, and its timing tightened, is there anything else to do before you start mixing?
Zaor’s Miza range promises smart, affordable, self‑assembly furniture to suit every studio.
Could a small step for Logic’s version number represent a giant leap for music production?
The Input Transformer can do all sorts of useful things to incoming MIDI signals. Let's find out...
DP11 brings even more functionality to the unique and powerful Chunks feature.
The right EQ settings can make a mix — and the wrong ones can make a mess. Our in‑depth guide will help you get more from this all‑important tool.
Unlike many of its competitors, the ErgoLab Stealth series of chairs is designed specifically for use in the studio.
An EQ that gives you separate control over the transient and sustain portions could be more useful than you think!
Imagine uses physical modelling to let you create any acoustic instrument you can, er, imagine.
As the name implies, Tupe emulates both tape and tubes — but it goes a bit further than most other saturators.
Main studio monitors these days are packed full of technology — but that wasn’t always the case, and it took an innovative British hi‑fi brand to drag mains out of the dark ages.
Grammy Award‑winning American producer Howard Benson discusses how he achieved the drum sound on POD’s 2001 hit ‘Youth Of The Nation’.
With both a hardware pedal and a plug‑in version included, this classy‑sounding reverb offers more options than most.