SOUND ON SOUND
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We look at the technology and terminology that underpins all keyboard instruments.
Korg’s SQ‑64 step sequencer bridges the gap between ‘deep’ and ‘hands‑on’.
Next time you’re buying studio hardware, try searching the manufacturer’s website using terms like ‘sustainability’. You might be surprised at the results.
Can Leapwing’s latest plug‑in really sprinkle some Al Schmitt magic on your recordings?
How do you export your projects for use in other DAWs? Read on to find out...
With plenty of performance features, DAW control and programmability, have M‑Audio found the winning formula in the MIDI controller‑keyboard game?
This powerful amp brings high‑tech Dirac room optimisation DSP to your favourite passive monitors.
Newfangled Audio’s Generate soft synth embraces chaos...
We try to improve a gypsy jazz mix, and discover that even the best references need to be taken with a pinch of salt.
OS Acoustics have followed up their impressive DB7 with an even more capable twin‑woofer design. We put the new DBS8 to the test.
Some of Studio One’s hidden gems are now available to users of other DAWs.
We explore ways to get the most out of the Avid S1 controller.
Influencers turn themselves into brands. Production duo LYRE can turn them into pop stars too.
I’m trying to figure out the best acoustic setup for a small ready‑made vocal booth, with a floor area measuring 4 x 5 feet...
I’m trying to improve the sound of my speech recordings which can be a bit ‘echoey’. I’ve been using a Rode NTG4 shotgun mic...
Introducing Reason+ and the Algoritm FM synth.
Does Roland’s software Juno 60 capture the magic of the original?
Throughout his illustrious career, Rupert Neve continued to refine the diode‑bridge compressor design he first created over half a century ago.
Saturation effects can be used in different ways to make mixing easier. Find out how...