SOUND ON SOUND
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Stewart Tavener from Extinct Audio and Xaudia chats to Drew Stephenson about the origins of his companies and how he became a ribbon microphone specialist.
Can GForce capture the character of the legendary Oberheim 8‑Voice in software?
When cleaning up dialogue, speed, quality and ease of use are all important — and Accusonus aim to tick all those boxes with their flagship bundle.
Antelope Audio recreate a cult mastering equaliser for their unique AFX platform.
Audient’s budget‑friendly interfaces get a welcome update and a new look.
Audiobro faces the future with an all‑new divisi strings collection.
This ‘wet effects generator’ is aimed squarely at modern productions.
Cubase 11’s Sampler Track makes a great starting point for percussive sound design.
Erica’s Black Sequencer combines ambitious functionality with some of the best knobs money can buy.
Focal’s revised flagship studio cans raise the bar yet again.
In a new three‑part series, DJ, producer and remixer Dave Clarke meets key figures from half a century of electronic music.
Affordable, reliable and unexpectedly small, Beyer’s ribbon mics have been studio staples since the mid‑’60s.
Burna Boy’s second album Twice As Tall saw his brand of Afro‑fusion top the charts all over the world. Jesse Ray Ernster tells us the remarkable story of how it was mixed.
Pipa is a wavetable and granular synth with a voice of its own.
iZotope’s clever Spire Studio is back and better than ever.
Kali’s latest nearfield design offers an unprecedented amount of monitor for the money.
We explore what’s new in Live 11’s Session View...
The new Music Mission transforms Merging’s desktop device into a powerful recording mixer and Ethernet audio interface.
Dragon Fire makes setting up frequency‑conscious compression very intuitive, courtesy of an on‑screen curve its makers call the Push Pull Graph.