SOUND ON SOUND
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Leading electronic music names have been added to the third annual LEME at Rich...
London audio college Alchemea has upgraded their programming room in preparation for the...
The SC3010 and SC3012, both employ a new and much larger Air Motion Transformer than is used in any other Eve design, and are well‑suited for use in larger recording studios, mastering suites and post‑production facilities.
Native Instruments today announced the Dynamic Duo sales special — a limited-time offer that bundles the acclaimed Maschine groove production studio and NI's instruments and effects suite Komplete 9.
Improve your PC's performance by taking the strain off your CPU.
The eagerly anticipated flagship in PMC's new TwoTwo range is finally here. Has the wait been worthwhile?
Apps based on existing software are far from unusual, but Wolfgang Palm has chosen to go the other way.
Prefab Sprout rose to fame in an era of indulgence and eye‑watering studio budgets. These days, things are a little different...
Pro Tools often turns up its nose at corrupt WAV files. Here's how to bring them into line.
I'm really interested in the vocal sound on Haim's debut album, Days Are Gone — could you tell me what sort of processing might be involved in this album?
I keep reading in your mic reviews about the sound being more natural when hitting a mic on-axis. Does this mean that there’s a risk of coloration with the ORTF technique right in the centre of the stereo image?
How do I add sub-bass easily to my tracks? I have a nice core ‘bass’ tonal synth but it lacks the low-frequency weight I’m looking for.
I’ve listened to music recorded on tape and the ‘warmth’ seems to be largely due to the soft-saturation characteristics of the tape and other non-linear components in the signal chain. This being the case, won’t a simpler valve emulation or mild overdrive plug-in achieve pretty much the same result?
We look at how chord‑generating Rack Extensions in Reason could help you out of a musical rut.
Once an expensive and futuristic dream, the technology for Internet‑based collaboration is now available and affordable — and more practical than you might think.
Guitar amps don't come much more portable than this updated model from Roland. But how does it sound?
Cyberstorm has been produced by Frédéric Devanlay who was also responsible for Zero-G's Deep Impact and Perception Cinemascapes.
Fledgling company Output claim that Rev is the world’s first collection of reverse instruments, loops, rises, pads, pulses and swells.
Rhythmic Robot’s Shortwave is a Kontakt instrument crammed with ghostly voices, radio tuning sweeps, morse code bleeps and an assortment of hisses, crackles and pulses.