SOUND ON SOUND
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Pooch's career has seen him mix front-of-house for artists as diverse as Iron Maiden and Justin Bieber. But just how different are mixing for pop and metal?
ART’s MX622 is a 1U rackmount mixer equipped with three balanced XLR microphone/line-level inputs, plus three stereo line inputs on RCA phono sockets.
Get the most out of Logic's Amp Designer plug-in.
We explain how you can mock up a live acoustic guitar sound from a DI'd recording, using Logic's built-in plug-ins.
McDSP’s unique analogue plug‑in platform continues to grow, with three impressive new processors joining the collection.
BAE's latest take on the classic Neve 1073 preamp design is presented in a sturdy, portable format. But does it deliver the familiar Neve sound?
EV’s latest rig takes the column PA format and adds a host of thoughtful extra features.
Avid's recent hardware launches change the game for HDX and HD Native users.
Although most modern synths come with good bass guitar patches, there's still nothing quite like the real thingplayed well — provided you know how to record it. Paul White examines a few alternative approaches.
Get creative with your guitar tones, using Cubase’s VST Amp Rack
Serbian company Sonic Dune have augmented the classic Neve 1073 design to offer the user both practical and tonal options.
British guitar band The Lathums achieved the rare feat of topping the charts with their debut album. Mix engineer Caesar Edmunds was at the controls.
To enable very quiet band rehearsals, I am thinking of feeding the whole band setup into my Behringer RX1602 Eurorack Pro...
HARMAN Professional Solutions have announced the AKG MDAi CPA Connected PA microphone adapter.
Toontrack's virtual bass player should have its human counterparts very worried indeed.
Two Notes' latest device offers serious power-amp and cabinet modelling in a convenient stompbox format.
Reactive load boxes that also offer top-quality speaker simulation have been seriously expensive — until now...
Retro Instruments have supercharged the gain stage of their Sta‑Level compressor to build a 500-series preamp.
Ever wanted to tailor your own software amp in a plug-in, and pack the result into a box to take on stage with a real speaker?