SOUND ON SOUND
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Just how do professional engineers tackle the earliest stages of their mixes, and can the rest of us learn anything from their approach?
The SOS team pick their hardware and software highlights from the last 12 months.
Could the SK Pro 73 be Hammond’s most versatile keyboard yet?
To find himself as an artist, Charlie Puth swapped high‑profile co‑writers for fan reaction on TikTok. It seems to have worked...
For Jason ‘Cheese’ Goldberg, working with YoungBoy means working anywhere and working fast — without compromising quality.
The ASP4816 offered big‑console features in a project‑studio footprint, but its new souped‑up sibling offers that bit more...
Korg lovingly recreate a ’70s synth classic.
A good real‑time analyser can draw attention to what our ears miss, and with multi‑channel formats that second opinion can be invaluable.
Arturia’s mighty V Collection continues to grow and improve.
Moog may be better known for their synths, but their out‑of‑production Moogerfooger effects change hands for silly prices. And now they’re available in software form...
Composers Michelle Birsky and Kevin Henthorn speak to us from their studio space in Los Angeles...
Taking a chance on immersive music has paid off handsomely for producer Stan Kybert, who has reinvented himself as one of the UK’s busiest Atmos mixers.
Working on tape with the Red Hot Chili Peppers forced Ryan Hewitt to revisit old‑school mixing skills — and find ways to adapt modern techniques to the analogue domain.
Timofey Reznikov made a name for himself recreating tracks by famous producers. Now, he mixes their tracks!
We chat to Andrew Ostler, the man behind one of the UK’s most eminent Eurorack developers, Expert Sleepers.
The addition of woodwinds, a third percussion collection and concert harp sees VSL’s Synchron Orchestra reach maturity.
We check out this painstaking recreation of the rare and coveted Motown equaliser.
In this Apollo Artist Session, watch legendary producer Just Blaze (Jay-Z, Kendrick Lamar) track and...
Inspired by Norman Petty and Sam Phillips, studio owner Dean Amos has lovingly built a perfect recreation of a 1950s recording environment — right down to the dimensions of the pegboard!
Soul II Soul’s ‘Back To Life’ was a hit record with a sound all of its own.