SOUND ON SOUND
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Major updates to Novation's third generation of Launchpads improve both form and function.
Retro Instruments have supercharged the gain stage of their Sta‑Level compressor to build a 500-series preamp.
Antares' EFX version of Auto‑Tune was designed specifically to create less-than-natural vocal effects, and this 'plus'...
De Wolfe Music, the world’s longest-running film music library, have released the first in a series of classic...
The Erica Synths Drum Sequencer is a drum brain optimised for live performance with plenty of capacity for all your favourite patterns...
Does Neumann's first standalone mic preamp live up to their enviable reputation?
Digital Performer has all the tools you need to sculpt the perfect vocal sound.
We look at the history, the theory and the practice of making electronic music without a computer.
We continue our look at further ways to tailor Pro Tools to your tastes.
The 810 comprises of a VCO, VCF and VCA, packed into a single 30HP module. Together they can be used as a single, Roland-flavoured analogue voice.
Auto-Tune keeps evolving, and the latest version incorporates both its best pitch-correction ever and a nod to its past.
The Squid is a sequencer with a mission: to unify your gear on stage and in the studio...
On the front cover this month we have KORG's recreation of the ARP Odyssey. Not satisfied with remaking...
Black Lion's Bluey recreates an 1176 that has made more hits than most!
Recording a live heavy metal concert would be challenging enough — but when you throw an 80-piece orchestra into the mix, all bets are off!
No two Tame Impala albums sound the same — but they've all been driven by the same experimental ethos.
Will Bob Clearmountain's signature plug-in help aspiring mix engineers emulate their hero's success?
Behringer's RD‑8 is a cut-price recreation of Roland's classic drum machine. We put it to the test...
When Bombay Bicycle Club chose to work with prolific producer John Congleton, both band and producer found themselves having to adapt...
Akai Pro have distilled the best of their technologies into a stand-alone clip- and scene-based performance and production workstation.