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Mixing / Production

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    The Mix Review

    Commercial Productions Analysed

    This month, Adele, The Script, Labrinth and for the classic mix we feature Christina Aguilera's, Genie in a bottle.

    People Jun 2013
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    Stornoway in their Oxford shed-cum-studio. From left: Oli Steadman, Brian Briggs, Rob Steadman and Jon Ouin.

    Stornoway: Recording Tales From Terra Firma

    Jonathan Ouin, Oli Steadman & George Shilling

    Many bands record their own albums these days, but few achieve as much with as little gear as Stornoway.

    People May 2013
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    The Mix Review

    Commercial Productions Analysed

    This month's productions: Angel, Simple Plan featuring Sean Paul, Lawson and classic mix AC/DC's Back In Black from 1980.

    People May 2013
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    Wes Dooley & Audio Engineering Associates

    The Ribbon Guy

    When RCA abandoned ribbon mics, Wes Dooley of AEA believed they still had a place in the modern studio — so he set about making his own.

    People May 2013
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    Producing Alt-J & Madness

    Interview with Charlie Andrew

    When Charlie Andrew began working with Alt-J, both were unknown. The resulting album would change everything...

    People Apr 2013
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    Q. What can I do to make my mixes sound more like commercial records?

    I'm producing my own music, but I want it to sound as professional as possible. I'm sure that there must be certain tools that...

    Sound Advice Apr 2013
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    The Mix Review

    Commercial Productions Analysed

    We examine the production of some recent hits from PSY, Mumford & Sons, Devlin and go back to 1996 classic track 'Killing Me Softy' by The Fugees.

    People Apr 2013
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    Richard Gottehrer.

    The Sire Records Story

    Richard Gottehrer & Seymour Stein

    Fifty years after their first hit, the duo who discovered Blondie, the Ramones, Talking Heads and Madonna are still producing great new acts.

    People Mar 2013
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    Q. How can I easily match levels on MP3s?

    When I listen to MP3s on a PC or Apple Mac, they are all at different levels, with the louder ones seeming twice as loud as the quietest ones.

    Sound Advice Mar 2013
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    The Mix Review

    Commercial Productions Analysed

    This month Mike Senior discusses Kanye West, Jake Bugg, Amy Macdonald, Plan B and ABBA.

    People Mar 2013
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    Beyond The Grave

    Janus: Gravedigger Then And Now

    Signed to Harvest, Janus made one album — and hated the way it sounded. Four decades later, they finally got the chance to mix it properly...

    People Feb 2013
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     The vocal immediately following the Now Time marker (green line) sings 'Too late a ghost'. The 'T' of 'Too' is attenuated, after which the automation line rapidly slopes back up to reach the track's general level. The next attenuation is the 'T' in 'Late

    Q. Is there a better way of controlling sibilance than a de-esser?

    A recording of mine is suffering from excessive sibilance, so I have tried processing it using a de-esser. The problem is that...

    Sound Advice Feb 2013
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    Q. Why shouldn’t I use mastering limiting during mixing?

    I often read recommendations to mix with compressors/limiters in the main bus so we can adjust to the effects of mastering...

    Sound Advice Feb 2013
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    The Mix Review

    Commercial Productions Analysed

    We examine the production of some recent hit records by Alex Clare, DJ Fresh, Wiley, Cheryl, Loreen and The Saturdays.

    People Feb 2013
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    Dan Deacon performing Electronica live.

    Dan Deacon: Performing Electronica Live

    Crowd Control

    Electronic musician Dan Deacon takes audience involvement much further than most artists, often setting up his gear in the middle of the crowd. He speaks to us about his equipment and the philosophy behind his wild live shows.

    People Jan 2013
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    Q. Would you ever compress one channel of a stereo recording?

    I was called in half an hour before a concert to record a violin and piano concert at a school with the violinist Jennifer...

    Sound Advice Jan 2013
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    Q. Could I blend recordings made by two different mics at the same time?

    I've got a Shure SM57 and a Rode NTK and I'm not sure which I should use on vocals. This got me wondering whether it would be...

    Sound Advice Jan 2013
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    Peter Walsh & Scott Walker

    Producing Bish Bosch

    Scott Walker’s career has taken him from pop stardom to high art. In a rare interview, he and producer Peter Walsh lay bare their unique approach to recording.

    People Jan 2013
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    Shahid ‘Naughty Boy’ Khan

    Producing Emeli Sandé

    Shahid Khan has gone from pizza delivery man to in-demand producer — with a little help from Noel Edmonds.

    People Jan 2013
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    The Mix Review

    Commercial Productions Analysed

    This month Mike considers tracks from Rihanna, Marina and the Diamonds, Conor Maynard and Train.

    People Jan 2013

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