Monitors / Monitoring

Paul White chats to Nate Baglyos and Charles Sprinkle of California-based speaker manufacturers Kali Audio.

Almost half a century after its initial release, Yamaha’s classic three‑way monitor remains an impressive speaker, and it pioneered the use of diaphragm materials that are still considered cutting‑edge today.

So far, monitor and headphone calibration systems have targeted music makers exclusively. Sonarworks’ SoundID aims to solve the problem of mix translation from the consumer end too.

We put AA’s new open-backed mixing and mastering headphones to the test.

Detroit microphone maker Deni Mesanovic applies his considerable knowledge of transducers to produce an impressive debut studio speaker.

I was wondering why we put speakers in the classic triangle with the listening point at the apex?

Mackie’s latest cans prove themselves to be serious monitoring tools.

What can the dynamic convolution experts bring to the world of headphone monitoring?

Focal’s revised flagship studio cans raise the bar yet again.

Kali’s latest nearfield design offers an unprecedented amount of monitor for the money.

Embody offer a unique way to tailor their room‑simulation system to the individual user.

OS Acoustics have followed up their impressive DB7 with an even more capable twin‑woofer design. We put the new DBS8 to the test.

Siamäk Naghian and Andy Bensley of Genelec chat to Sam Inglis about the 43 year history of the company, the development of new technology and future sustainability.