SOUND ON SOUND
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Universal Audio target newcomers to recording with a range of affordable USB interfaces.
There’s more to Reason’s new Mimic creative sampler than meets the eye...
Producer, DJ and remixer Dave Clarke meets the innovative producer acclaimed both for her piano‑based film soundtracks and her techno music.
Given the significant cost of this pedal, it’s probably going to appeal mainly to those who already know what to expect from it, though the limited production run may also make it of interest to collectors.
When asked to pick a favourite sound that he’s worked on, English producer and mixing engineer Tim Palmer nominates the radio speaker guitar intro from Pearl Jam's ‘Black’.
H2 aim to put the legendary sound of Olympic Studios in your 500‑series rack.
The final Revox tape recorders left the factory almost 25 years ago, yet the enthusiasm and support for these classic machines remains as strong as ever.
Pads are the glue that holds entire genres of music together. We look at how you can improve yours.
Newcastle‑based singer and producer Beth Jeans Houghton, aka Du Blonde, enters the quick-fire questions round...
With the SiX, SSL shrank the large-format console. Now it’s grown again!
It may be super-compact, but the MX5 punches well above its price tag. What’s not to like?
Traditional hands‑on training gave Leslie Ann Jones the skills she needed to head up one of the world’s most advanced scoring stages.
Chopped‑up loops are at the heart of many genres of music. There’s never been a better time to get hands‑on with sliced samples.
Make your mixes easier by getting the bass sound right from the start.
Producer Fred Gibson (aka Fred again..) studied under Brian Eno and has worked with some of the biggest artists in the world. And his favourite microphone is the one built into his iPhone.
Soniccouture’s new library steps into a strange new world of sci‑fi and horror.
If vintage samplers butter your muffin, Isla Instruments have got a full afternoon tea for you.
Created in partnership with Empirical Labs, these two emulations form a characterful yet capable channel strip.
From ABC to Yes via Frankie Goes To Hollywood, Trevor Horn produced some of the most iconic records of the 1980s. In this feature video, Trevor talks about the art of record production then and now.