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Robaux are a relatively new German company making Eurorack modules. Their latest is the SWT16+, a 16‑track trigger sequencer...
With a record three Album of the Year nominations at this year’s Grammy Awards, mastering engineer Emily Lazar is at the forefront of her profession.
Why let guitarists have all the fun? Stompboxes can be inspirational mixing tools.
Yamaha’s new DTX6 range is a force to be reckoned with.
Avid’s innovative ‘hybrid’ audio interface promises to banish latency for good.
Roland's new percussion sequencers pay tribute to classic TR-series instruments.
Roland’s venerable SPD range just keeps getting better...
There are plenty of very heavily distorted examples already out there to be heard, but I’ve gone for some tones that I think challenge the technology a little more.
We speak to some of the leading experts in hearing loss to find out why it happens, how to prevent it, and what to do if your hearing fails.
In need of melodic inspiration? Cubase 11's Scale Assistant can help.
Warm Audio’s revised take on the Neumann U87 gets even closer to the real thing.
Alongside the people who make them, Patrick Gleeson has probably done more than anyone else to introduce synthesizers to popular music.
Cinematic Studio’s eagerly anticipated Woodwinds library does not disappoint.
We explore Remix FX, which brings together many of the real‑time audio processing tools available in Logic under a new streamlined single interface.
Making the most of Studio One's templates.
Spitfire’s latest project marks a new partnership with an iconic London studio.
We continue our exploration of DP's MasterWorks plug‑in suite.
The SOS editorial team shared notes to come up with 21 ways you can greet 2021 with a better studio.
With so many modules on the market, how do you make the right choices?
Influencers turn themselves into brands. Production duo LYRE can turn them into pop stars too.