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HK Audio Elements Gala
HK’s latest compact line array combines ease of setup with power, portability and clarity.
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HK’s latest compact line array combines ease of setup with power, portability and clarity.
Kludge Audio’s new transformer‑ and inductor‑based modules could be just what’s needed to inject a bit of vintage vibe.
Equipped with audio recording and playback plus a four-channel mixer, the KR‑55 Pro is more than just a rhythm machine.
Can you honestly say that you use all — or even most — of the features that appear in your DAW’s drop-down menus?
In a world where almost everyone is mixing ‘in the box’, Mark Ralph and Clean Bandit have gone the other way.
We delve into Live’s sophisticated new audio delay effect, Echo.
The Lemon Twigs not only draw their musical inspiration from classic power-pop; they’ve also learned to record using authentic ’70s gear and techniques.
Lunastone use cascaded gain stages rather than clipping diodes to achieve their amp-like distortion. And Smooth Drive 1 claims to deliver vintage tones that are just on the edge of break-up, rather than full-on distortion.
Guitar pedals range from the very basic ‘turn a knob’ variety to those with deep MIDI implementations and layers of hidden parameters. Lunastone’s Three Stage Rocket [MIDI Version] overdrive aims to strike a balance between those extremes...
The Entity PS's 100-percent analogue circuitry is capable of producing a huge range of percussive effects including, but not limited to: snares, claps, toms, rim shots, hats, synth percussions, zaps and blips, bass and lead sounds and even new flavours of kick-drum sounds.
The Erica Synths Drum Sequencer is a drum brain optimised for live performance with plenty of capacity for all your favourite patterns...
While many multi‑effects units offer a slow‑attack module, finding a discrete pedal to do the job is not so easy. Enter the Slow Engine...
Avid’s new ‘little and often’ update strategy is delivering some really useful improvements. We look over the most recent.
My Rode NT3 mic was producing a nasty medium‑frequency buzz, and I eventually discovered that it was caused by a cheap battery. Taking the battery out and switching on my audio interface’s phantom power solved the problem...
I have a pair of Focal SM9 monitor speakers and am wanting to add a subwoofer. I’m torn between the Focal Sub‑6 and ADAM Sub‑10 Mk2 for playback/DJ’ing vinyl records in my small, treated home studio...
You don’t have to play synths or ‘real’ instruments to make music: embrace the experimental, and you could use almost anything...
I want to record my drums at home but am having particular issues with noise annoying a downstairs neighbour!
Outside the big-hitter sample library/virtual instrument developers, there are a whole host of smaller, indie-style developers doing their best to compete, either by offering something unique or accessibly priced. Folio Bass is one such product...
Most of the music tech software and gear we use has some concept of recording and reproducing parameter changes. We take a tour of Reason’s extensive automation facilities.
Large and complex orchestral libraries have their place, but most of the time all that many of us need is a simple-to-use product that won’t fill our hard drives with samples that may never see action...