SOUND ON SOUND
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Rating: **** 4/5 Stars. These high-quality WAV samples would most certainly feel at home dropped into a high‑end blockbuster movie, action trailer, or AAA video game.
This powerful digital stompbox is far more than just a distortion pedal...
So far, monitor and headphone calibration systems have targeted music makers exclusively. Sonarworks’ SoundID aims to solve the problem of mix translation from the consumer end too.
Antelope condense their considerable know‑how into an affordable, bus‑powered interface.
We put AA’s new open-backed mixing and mastering headphones to the test.
Cubase 11’s new SuperVision plug‑in makes it easier for Pro and Artist users to trust their ears.
We show you how to set up a multi-song mastering project.
Think you’ve heard everything a compressor can do? It might be time to think again...
If you’re looking for one reverb to rule them all, HOFA’s massively comprehensive plug‑in ticks all the boxes.
Traditional hands‑on training gave Leslie Ann Jones the skills she needed to head up one of the world’s most advanced scoring stages.
M‑Audio’s 88‑note controller significantly improves its bang‑per‑buck ratio.
Detroit microphone maker Deni Mesanovic applies his considerable knowledge of transducers to produce an impressive debut studio speaker.
Mastering engineer Ian Shepherd’s first plug‑in has been completely redesigned — with both mastering and mixing in mind.
This book is essentially an autobiography of the author's experiences in buying and selling all manner of vintage pro‑audio equipment, combined with some fascinating history about the leading manufacturers and their products...
“I believe both producing and engineering are about serving the artist’s needs to help them accomplish their goals,” writes...
Fideleater is a lo‑fi chorus, vibrato and delay pedal whose six controls can be used to access a huge palette of sounds.
Given the significant cost of this pedal, it’s probably going to appeal mainly to those who already know what to expect from it, though the limited production run may also make it of interest to collectors.
Novation’s Circuit Tracks is a portable musical playground.
I have an inexpensive ART P16 XLR patchbay that I’d like to reintroduce and I’m wondering whether this will degrade the quality when I’m tracking, mixing and mastering — it would potentially be the weakest link in my signal chain?
I was wondering why we put speakers in the classic triangle with the listening point at the apex?