SOUND ON SOUND
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With added functionality and improved specs, this great preamp just got better.
Future-proof your projects. We examine the archival options for users of Cubase Elements, Artist or Pro.
These two plug‑ins bring you the spirit of their 'unobtainium' hardware counterparts!
Many of the features that won live sound engineers over to digital desks also have huge potential in the studio. We check out some of the best options.
The latest version of DP includes some powerful timing & tempo-manipulation tools.
The audio interface is at the centre of every modern studio, but how do you choose the right one for you?
What exactly is the crossover frequency in studio monitors, and how much attention do I need to pay to that spec?
I'm trying to get an old TC Reverb 6000 MkI connected digitally to my new UAD‑Apollo x8 interface to give me four stereo reverb engines...
My home studio is plagued by dust! It seems to get everywhere. Is there a 'right' way to clean this stuff?
This Brainworx EQ is inspired by esoteric mastering hardware.
Need a flexible, on-the-go keyboard? Look no further...
Haim's latest album was made with a mix of old-school and modern techniques and equipment.
The free and open-source Jamulus app lets you play along with other musicians over the Internet in real time. We guide you through it.
We talk to prolific producer Kaitlyn Aurelia Smith about her ambient compositions and love of Buchla synths.
Why is Sound On Sound publishing a major article about choosing an audio interface? Many reasons...
We bask in the reflective glory of a rather special algorithmic reverb generator.
Here's how to prevent those pesky esses from ruining your tracks!
Based on impulse responses, Spaces incorporates profiles of some of Bob Clearmountain's favourite rooms and echo chambers, along with some of the processing used on many of his hit records.
Undulator combines multitap delay with feedback and detuning, alongside a multi-waveform tremolo whose depth and speed can themselves be modulated.
IK's Z‑Tone products put the user in control of pickup, impedance and load variables, by equipping a high-quality preamp with the means to adjust the input impedance to best suit the instrument.