SOUND ON SOUND
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3D‑printing has made it practical for designers to manufacture all manner of specialised microphone mounting brackets at relatively low cost.
When it comes to dynamics processing, we’ve never had it so good. Once upon a time, even the largest studios had only basic...
Giving yourself plenty of headroom when recording will help you get the most out of your plug‑ins and give you greater flexibility when mixing.
Find out how to create custom control mappings with EuCon when using Pro Tools.
Voxessor provides a user‑friendly toolkit for improving the sound of spoken voice. It’s intended to appeal to anyone doing podcasts or voiceovers.
Does your guitar sound dull and lacklustre through your pedalboard? Here’s how to side‑step the tone‑suck trap.
Isn't 'the future' meant to be all about user convenience?
This impressive setup combines point‑source technology, advanced loudspeaker management DSP and a powerful new bass extension system. Is this the state of the art in studio monitoring?
René Mørch of DPA Microphones chats to Sam Inglis about DPA's involvement in the NASA Mars 2020 mission.
Paul White and Hugh Robjohns discuss the evolution of recording from the perspective of their own experiences, starting with analogue tape and ending with computer-based digital systems.
Polyend breathe new life into an old technology with an instrument that’s as forward‑looking as it is retro.
Bitwig continues to blur the boundaries between instrument and DAW, while offering some welcome practical enhancements.
Want the sound and tactile experience of hardware but the convenience of plug‑ins? Wes Audio have the answer...
The tech showcase is taking part of Abbey Road's 90th anniversary celebrations, and will be held in the world-class Studio 3.
New delay plug-in models the sound of vintage Echoplex units, and features an innovative multi-head waveform display.
In-line booster adds up to 30dB of gain and offers a range of impedances for passive microphones.
The quintessential electric piano is back, with all the electro-mechanical charm of the originals plus new analogue processing options.
The Listening Service panel will take place on Friday 12th November, with submissions due by this Friday, 29th October.
Plus: win a limited-edition 24k gold-plated AT2020 microphone!
Classic gear from Moog, E-mu, MXR, Mu-Tron and more up for grabs!