SOUND ON SOUND
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MOTU's latest interface features 10 onboard mic preamps along with instrument and line-level connectivity and 128 channels of AVB-based network I/O.
Podcasting and vlogging have given high‑quality dynamic microphones a fresh lease of life, so how does the Audix PDX520 fit into that landscape?
Solid State Logic once again raid their archive of preamp and EQ designs to put together a high‑powered input channel.
Designed specifically for immersive formats, the BP3600 is a novel alternative to more familiar Ambisonic microphones.
Looking for the ultimate analogue channel strip, cost no object? Then check this out, while the rest of us dream!
KRK’s affordable Kreate speakers offer plenty of bang for your buck!
A new German manufacturer takes aim at the microphone market, promising real innovation.
Joining the Tom Mic and Snare Mic, and sharing their refreshingly logical naming convention, the Kick Mic promises to deliver instant attack, clarity and defined low-end power while avoiding common pitfalls such as bleed and low-frequency build-up.
The LANG 312L, made by Heritage Audio, is a transfomer‑balanced mic preamp whose design is broadly rooted in old API one, but which, like all the best ‘homages’, brings something extra to the party.
The latest arrival to the Volt series becomes the first to occupy a rackmount chassis, ups the I/O count significantly, and pairs its eight onboard mic preamps with eight 1176-style compressors.
Designed with immersive audio in mind, the Symphony Studio is also a top‑class all‑round audio interface.
Solid State Logic dust off the blueprints of their E-series console to create a classy channel strip.
This unusual‑looking microphone is designed specifically for Decca Tree arrays.
The MPC Live III features Akai Pro's expressive MPCe pads, a dedicated 16-button step sequencer and a new Clip Matrix mode that focuses on real-time performance, as well as boasting a built-in mic and speakers and offering battery-powered operation.
New from CEDAR Audio, the DNS 8S is a noise suppressor designed specifically for live sound and broadcast applications where audio over IP is not required.
Bitwig’s first hardware product takes a characteristically individual approach to audio interfacing.
Strymon's latest release takes the form of a stereo DI box that’s been optimised for those connecting their pedalboards and keyboard/synth rigs to a PA, audio interface or full-range speaker system.
Thanks to Thunderbolt 4 / USB4 connectivity, the 848 is capable of delivering up to 256 channels (128 inputs and 128 outputs) to a macOS, Windows or iOS system.